Essential: a masterpiece of progressive rock music
In my opinion, On the Third Day is the best album by ELO during their early progressive rock period. Even though this album started showing signs of Lynne's movement towards more radio-friendly material and simpler song structures, it still has masterpiece written all over it. The most major improvement was clearly the quality of production, Lynne's improved vocal delivery and even better guitar playing from a performer who would never be known for his prowess on this instrument. Richard Tandy is cut loose here and there providing some well-fitting keyboard work on New World Rising, Daybreaker, Dreaming of 4000 and the Grieg tribute In the Hall of the Mountain King.
Excellent addition to any prog-rock music collection
Clearly, ELO was a progressive band, although most people never looked upon them as that because of their long run on the pop charts. They had it all going for them-a unique brand of rock music with parts of an orchestra mixed in and a singer/songwriter/guitar player on level with the best in the world. And to put the proverbial icing on the cake, they made a universal mixture of music that anyone could relate to and it still stands up very well today. Even though ELO had all of this and more, they were underrated. I feel their contributions to recorded music were peerless. Perhaps looking back now, we can all realize just how far ahead of their time they really were. And with advent of these marvelous reissues, we can hear it all better than ever and reconfirm why ELO was one of the greatest bands to record orchestrated rock music.
Afterglow is the first box set compilation by Electric Light Orchestra (ELO) released in 1990 with liner notes by music critic and editor Ira Robbins of Trouser Press fame.
“Pensar en nada” is the fifth studio album by the Argentine singer-songwriter León Gieco.
“Vivencia” is the disc that follows “Mi Cuarto” LP. I read somewhere in the network that after that LP (Mi Cuarto), they did not get better jobs … Hmmm, debatable.
“El Fantasma De Canterville” is the third album of study of the Argentine singer-songwriter León Gieco. It was released in 1976 by the label Music Hall.
David Chesky, born in Miami in 1956, settled in New York City in the 1970s and now identifies himself as an "urban orchestral composer." His Urban Concertos, of which he has written nearly a dozen, constitute his most substantial output. In the program notes for this recording of three of his concertos, he wrote, "Perhaps one can say my style is neo-impressionist. But I do not live on some quaint idyllic country farm, I live in the city that never sleeps! It is a hard-driving concrete jungle that pulsates around the clock." "Pulsating" is an apt descriptor for Chesky's music, which is notable for its restlessly high energy and rhythmic propulsiveness.