Ecm Flac Arild Andersen

Arild Andersen - Celebration (2012) [Official Digital Download]  Vinyl & HR

Posted by HDV at March 7, 2017
Arild Andersen - Celebration (2012) [Official Digital Download]

Arild Andersen - Celebration (2012)
FLAC (tracks) 24-bit/48 kHz | Time - 61:45 minutes | 675 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Bassist Arild Andersen shines as the principal soloist in a celebration of music from ECM with specially-commissioned new big-band arrangements of well-known pieces by Dave Holland, Chick Corea, Trygve Seim, Jan Garbarek, and Keith Jarrett. The resourceful Tommy Smith adds powerful tenor solos, arranges Garbarek's "Molde Canticle", and directs the Scottish National Jazz Orchestra.
Arild Andersen - Green In Blue (2010) {Early Quartets ECM 2143/45 3CDs Boxset} [Re-Up]

Arild Andersen - Green In Blue (2010) {Early Quartets ECM 2143/45 3CDs Boxset}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 746MB + 5% Recovery
MP3 CBR 320 Kbps | 306MB + 5% Recovery
Genre: Jazz

Box set in ECM’s acclaimed Old & New Masters series reintroduces Arild Andersen’s first three leader dates for the label – Clouds In My Head, Shimri, and Green Shading Into Blue. Recorded between 1975 and 1978, none of these albums has previously been issued on compact disc, and this edition is eagerly awaited. The music traces Andersen’s personal evolution from ‘free’-inclined bassist to bandleader-composer and introduces some players who would prove important for the future of the music – amongst them an 18-year-old Jon Balke on the “Clouds” session.

Arild Andersen - Hyperborean (1997) {ECM 1631}  Music

Posted by tiburon at Dec. 8, 2015
Arild Andersen - Hyperborean (1997) {ECM 1631}

Arild Andersen - Hyperborean (1997) {ECM 1631}
EAC 0.95pb5 | FLAC Image level 8 | Cue+Log | Full Scans 300dpi | 250MB + 5% Recovery
Genre: Jazz, World Fusion

Arild Andersen's Hyperborean is based on an Ancient Greek legend: according to the myth, the Hyperboreans lived beyond the north winds, where the sun god Apollo presided. Andersen has created an impressive song cycle that draws from contemporary instrumental, European jazz, jazz-rock and the distinctive ECM production sound. Andersen's playing is typically tasteful and the compositions are unpredictable and evocative, making Hyperborean another worthy addition to his catalog.
Vassilis Tsabropoulos / Arild Andersen / John Marshall - Achirana (2000) {ECM 1728} [Repost]

Vassilis Tsabropoulos / Arild Andersen / John Marshall - Achirana (2000) {ECM 1728}
EAC 0.99pb5 | FLAC Image level 8 | Cue+Log | Full Scans (PDF) | 381MB + 5% Recovery
Genre: Jazz

"Achirana" marks the debut of a new trio, formed by ECM bassist of the first hour Arild Andersen and featuring, alongside veteran drummer John Marshall, Greek pianist Vassilis Tsabropoulos in his first recording for ECM. Likely to be hailed as a veritable 'discovery' in jazz circles, Tsabropoulos has long been recognised as an exceptionally gifted performer in other idioms. To quote Vladimir Ashkenazy, "Vassilis Tsabropoulos possesses rare talent". He has a reputation as a classical pianist, an interpreter of 19th and 20th century music, and as a conductor, and there is growing recognition for both his composing and his improvising.

Arild Andersen - Celebration (2012) {ECM 2259} [Re-Up]  Music

Posted by tiburon at July 10, 2012
Arild Andersen - Celebration (2012) {ECM 2259} [Re-Up]

Arild Andersen - Celebration (2012) {ECM 2259}
EAC 1.0b2 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 600dpi | 408MB + 5% Recovery
Genre: Jazz

Bassist Arild Andersen shines as the principal soloist in a celebration of music from ECM with specially-commissioned new big-band arrangements of well-known pieces by Dave Holland, Chick Corea, Trygve Seim, Jan Garbarek, and Keith Jarrett. The resourceful Tommy Smith adds powerful tenor solos, arranges Garbarek’s “Molde Canticle”, and directs the Scottish National Jazz Orchestra. Andersen’s composition “Independency” is a 16-minute highlight, in a sensitive and powerful arrangement by Mike Gibbs. Other contributing arrangers are Makoto Ozone, Christian Jacob, Geoff Keezer and Trygve Seim/Øyvind Bræke: all of them contribute sterling work, and their arrangements are likely to enter modern jazz’s big band repertory book. Recorded live at Glasgow’s Royal Conservatory, “Celebration” is a highly attractive album for a broad listenership, and as a statement about music introduced by ECM will be of special interest to long-time followers of the label.
Arild Andersen - Green in Blue - Early Quartets - (3 CDs) [FLAC]

Arild Andersen - Green in Blue - Early Quartets
FLAC (EAC rip) | separate tracks | No Log, No CUE | Cover Art | ~730 MB incl. recovery (7 files)
Genre: Jazz, Modern Creative, World Fusion | Label: ECM (ecm 2143-2145) | Year: 2010

Box set in ECM’s acclaimed Old & New Masters series reintroduces Arild Andersen’s first three leader dates for the label – “Clouds In My Head”, “Shimri”, and “Green Shading Into Blue”. Recorded between 1975 and 1978, none of these albums has previously been issued on compact disc, and this edition is eagerly awaited. The music traces Andersen’s personal evolution from ‘free’-inclined bassist to bandleader-composer and introduces some players who would prove important for the future of the music – amongst them an 18-year-old Jon Balke on the “Clouds” session.
Arild Andersen, Tommy Smith, Paolo Vinaccia - Mira (2013) [Official Digital Download 24/96]

Arild Andersen, Tommy Smith, Paolo Vinaccia - Mira (2013)
FLAC (tracks) 24-bit/96 kHz | Time - 62:54 minutes | 1,39 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Norwegian bassist Arild Andersen, Scottish saxophonist Tommy Smith and Italian expat drummer Paolo Vinaccia made waves around the world with their award-winning debut recording, the much lauded concert album Live at Belleville. Mira, the trio's studio follow-up, is a programme of soulful ballads and midtempo free-floating sound explorations, pairing Anderson’s muscular bass with Smith’s vaulting tenor in an exceptionally compelling blend.
Arild Andersen - If You Look Far Enough (1993) {ECM 1493}

Arild Andersen - If You Look Far Enough (1993) {ECM 1493}
EAC 0.99pb5 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 260MB + 5% Recovery
Genre: Jazz, Fusion

Norwegian bassist Andersen's reputation in Europe over the decades is well established. He has appeared on a number of significant recordings, most notably Jan Garbarek's SAGN, and with his own iconoclastic ensemble Masqualero. IF YOU LOOK FAR ENOUGH distills those past endeavors into a most atmospheric, spacious outing. The more traditional elements of Andersen's heritage meet face-to-face with a profoundly European free-jazz sensibility.
Arild Andersen Group - Electra (2005) {ECM 1908} [Repost]

Arild Andersen Group - Electra (2005) {ECM 1908}
EAC 0.99pb5 | FLAC Image level 6 | Cue+Log | Full Scans 600dpi | 484MB + 5% Recovery
Genre: Jazz

Arild Andersen's Electra was composed for the Spring Theater in Athens for their production. These "18 Scenes," as they are subtitled, represent various cues and serial music for the production of Sophocles' deeply moving classic. Andersen collaborates with both European and Greek musicians here, among them the great vocalist Savina Yannatou, guitarist Eivind Aarset, drummer Patrice Heral, and trumpeter Arve Henriksen. The music is heavily arranged, taut, and spacious. Everything is understated yet utterly dramatic.
Arild Andersen - The Triangle (2004) {ECM 1752} [Repost]

Arild Andersen / Vassilis Tsabropoulos / John Marshall - The Triangle (2004) {ECM 1752}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 294MB + 5% Recovery
Genre: Jazz, Post-Bop

Arild Andersen's trio emphasises the writing and playing of Greek pianist Vassilis Tsabropoulos, whose melodic improvising and sense of form are influenced by his background as a classical musician. Tsabropoulos's tunes, and his arrangement of Ravel here, cast the jazz ‘piano trio’ genre in another light - as do his contributions to Andersen’s pieces and the collective improvisation “European Triangle". Arild Andersen's driving bass and John Marshall's inventive drums give the music its sense of propulsion.