One of the more puzzling remarks about the music of Carl Philipp Emanuel Bach came from Mozart, who said that anyone who listened closely would realize his debt to the German composer. That seemed unlikely, given that Mozart only rarely availed himself of the Sturm und Drang ("storm and stress") style of C.P.E.'s keyboard music. But listen to this release by flutist Emmanuel Pahud and you'll get an idea of what Mozart was talking about. It's not just that the flute concertos are basically galant in style, not Sturm und Drang. It's a certain nervous energy that makes the flute bloom rapidly out of squarish themes and keeps you guessing as to what's coming next.
R.E.M. abandoned the enigmatic post-punk experiments of Murmur for their second album, Reckoning, returning to their garage pop origins instead. Opening with the ringing "Harborcoat," Reckoning runs through a set of ten jangle pop songs that are different not only in sound but in style from the debut. Where Murmur was enigmatic in its sound, Reckoning is clear, which doesn't necessarily mean that the songs themselves are straightforward. Michael Stipe continues to sing powerful melodies without enunciating, but the band has a propulsive kick that makes the music vital and alive. And, if anything, the songwriting is more direct and memorable than before – the interweaving melodies of "Pretty Persuasion" and the country rocker "(Don't Go Back To) Rockville" are as affecting as the melancholic dirges of "Camera" and "Time After Time," while the ringing minor-key arpeggios of "So. Central Rain," the pulsating riffs of "7 Chinese Bros.," and the hard-rocking rhythms of "Little America" make the songs into classics. On the surface, Reckoning may not be as distinctive as Murmur, but the record's influence on underground American rock in the '80s was just as strong.
This program includes some of the least known masterpieces from Ernest Bloch’s nearly 30 works for orchestra. Macbeth: Two Symphonic Interludes is an intoxicating and passionate distillation of Shakespeare’s powerful drama. In Memoriam is a brief elegy dedicated to the pianist Ada Clement, while the Three Jewish Poems were written when Bloch was mourning the death of his father. Originally conceived as a third concerto grosso, Bloch’s last Symphony, in E flat major, is at times emotionally turbulent and deeply spiritual work containing passages of harmonic acerbity.
Voici des repas santé variés et délicieux qui plairont autant aux petits qu'aux grands et qui serviront à garnir les boîtes à lunch. Ce livre propose des recettes originales, rapides à préparer et garantes d'une bonne forme physique et d'une concentration soutenue toute la journée. L'auteur suggère 50 menus riches en éléments nutritifs indispensables et qui ont passé avec brio le test de goût auprès des gastronomes en herbe. …