Director Tim Burton brings his unique vision and sensibility to Roald Dahl's classic children's story in this lavish screen interpretation. Willy Wonka (Johnny Depp) is the secretive and wildly imaginative man behind the world's most celebrated candy company, and while the Wonka factory is famously closed to visitors, the reclusive candy man decides to give five lucky children a chance to see the inside of his operation by placing "golden tickets" in five randomly selected chocolate bars. Charlie Bucket (Freddie Highmore), whose poor but loving family lives literally in the shadow of the Wonka factory, is lucky enough to obtain one of the tickets, and Charlie, escorted by his Grandpa Joe (David Kelly), is in for the ride of a lifetime as he tours the strange and remarkable world of Wonka with fellow winners, media-obsessed Mike Teavee (Jordan Fry), harsh and greedy Veruca Salt (Julia Winter), gluttonous Augustus Gloop (Philip Wiegratz), and ultra-competitive Violet Beauregarde (Annasophia Robb). Over the course of the day, some of the children will learn difficult lessons about themselves, and one will go on to become Wonka's new right hand.
In this multiple Oscar-winning thriller, Jodie Foster stars as Clarice Starling, a top student at the FBI's training academy whose shrewd analyses of serial killers lands her a special assignment: the FBI is investigating a vicious murderer nicknamed Buffalo Bill, who kills young women and then removes the skin from their bodies. Jack Crawford (Scott Glenn) wants Clarice to interview Dr. Hannibal Lecter (Anthony Hopkins), a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into this case and that Starling, as an attractive young woman, may be just the bait to draw him out. Lecter does indeed know something of Buffalo Bill, but his information comes with a price: in exchange for telling what he knows, he wants to be housed in a more comfortable facility. More important, he wants to speak with Clarice about her past.
Franz Peter Schubert (January 31, 1797 – November 19, 1828) was an Austrian composer.
Although he died at an early age, Schubert was tremendously prolific. He wrote some 600 Lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, some incidental music, and a large body of chamber and solo piano music. Appreciation of his music during his lifetime was limited, but interest in Schubert's work increased dramatically in the decades following his death at the age of 31. Franz Liszt, Robert Schumann, Johannes Brahms and Felix Mendelssohn, among others, discovered and championed his works in the 19th Century. Today, Schubert is admired as one of the leading exponents of the early Romantic era in music and he remains one of the most frequently performed composers.
The Two Jakes is the much-delayed and rather convoluted sequel to the 1975 classic Chinatown. Released in 1990 after an abortive stab at shooting that began in the mid-'80s, the film was the subject of a creative feud between its principals, star Jack Nicholson, producer Robert Evans, and screenwriter Robert Towne. Private eye Jake Gittes (Jack Nicholson) is a middle-aged war hero, paunchy, snobbish about his golf game, and about to marry a lovely and much younger woman. Then a fleeting reference to a woman he once loved that he heard on a wire recording plunges him into a past he has tried to escape. It comes while he was spying on a philandering wife (Meg Tilly) and her paramour in her motel room for her husband, Jake Berman (Harvey Keitel). Then Berman shocks Gittes when he shoots his wife's lover.
Wasting no time in the wake of the Gallagher brothers sudden 2009 implosion, Sony released the deluxe Time Flies 1994-2009 retrospective in the summer of 2010, just in time for the 15th anniversary of (What’s the Story) Morning Glory? The driving idea behind Time Flies is to collect all 27 of Oasis’ British A-sides, a simple idea that would seem to fit one of the great singles band, but sticking to the singles winds up leaving many great songs behind, including their manifesto “Rock & Roll Star,” “Champagne Supernova,” the lovely “Talk Tonight,” and Noel and Liam’s duet “Acquiesce,” among many tremendous B-sides…
Cops, secretaries, and prisoners stuck in a soon-to-be-shuttered L.A. police station fight off a horde of murderous gang members in director John Carpenter's homage to Howard Hawks. When police officer Bishop (Austin Stoker) is left in charge of Precinct 13 on the last day it's open, he isn't prepared for the onslaught of a murderous street gang who have come into the possession of an enormous arsenal of guns. Finding himself trapped in the precinct with a pair of secretaries (Laurie Zimmer and Nancy Loomis), a few civilians and a handful of prisoners, Bishop is unable to call for help because the phones have already been disconnected and the precinct is in a run-down, out-of-the-way neighborhood. Holding out for a rescue, he and his fellow prisoners band together to barricade themselves in and hold the bandits at bay. But as the casualties mount and the supplies run low, they must choose between a daring escape attempt, a fiery offensive, or certain death.
Given the depth, range and quality of the Deutsche Grammophon catalogue, it’s hardly been difficult to put together another anthology of great recordings and great artists. The structure is as before – here are 53 original albums (including three double-sets), featuring the great names of Deutsche Grammophon’s recording history, presented, once more, in alphabetical order of artist. Claudio Abbado leads off with a complete Carmen and Krystian Zimerman rounds off with his memorable account of the Chopin Ballades.
Didier Marouani (born in 1953 in Monaco) is a French composer and musician. He is one of the pioneers in the Electronic music genre.
Didier started his career as a pop singer and made his first album with Etienne Roda-Gil as lyricist, he's done concerts tour with Johnny Hallyday, Claude François and Joe Dassin. In 1977, he created the band SPACE in 1977 and composed all the songs of the albums under the pseudonym ECAMA, they released as first single the hit "Magic Fly", Didier Marouani & SPACE went number one all over the world. Later he participated in such well-known band as "Paris-France-Transit". He sold over 10 millions records all over the world and over 12 Millions in USSR. In 1983 Didier & SPACE went in USSR to give 21 concerts for 600.000 people. in 1992, Didier was able to obtain the necessary authorization for a concert in Red Square, some 360.000 spectators attended this free concert.
Throughout the 1980s, Didier Marouani & SPACE gained quite a large popularity in France and many European socialist republics (such as Poland, Czechoslovakia, Romania and Soviet Union).
1987: Didier composed a new album "SPACE-OPERA", the first Opera composed for synthesizers and choirs. He was able to obtain the participation of both the Red Army Choirs and the Harvard University Choirs (USA) for his album. The album was relayed to the Soviet space station "MIR", thus making the album the first to be heard in space. The CD as been launch into space together with a CD player by the Russian cosmonauts. "SPACE-OPERA" went on to achieved great success in Europe. [en.wikipedia.org]
Admirers of Karajan will probably own most or all of these symphony cycles from what was probably the pinnacle of the conductor's prolific career. However, if you are unfamiliar with Karajan's work, or well enough acquainted with it to desire further exploration, then this amazingly inexpensive anthology can be enthusiastically recommended. I purchased all of these sets when they came out in DG's previous mid-priced "Karajan Symphony Edition," and I can testify to their consistently oustanding quality, both as performances and as interpretations. As recordings, however, it must be admitted that the sound is of variable quality; sometimes admirably vivid and well balanced, but frequently tending toward harshness, even garishness–particularly in those which come from the early digital era (cf. Bruckner's symphonies 1-3). Too bad Universal didn't see fit to give this magnificent legacy a sonic facelift. Still, the performances are sufficiently worthy of your attention to warrant purchase regardless of these sonic limitations.