Franz Peter Schubert (January 31, 1797 – November 19, 1828) was an Austrian composer.
Although he died at an early age, Schubert was tremendously prolific. He wrote some 600 Lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, some incidental music, and a large body of chamber and solo piano music. Appreciation of his music during his lifetime was limited, but interest in Schubert's work increased dramatically in the decades following his death at the age of 31. Franz Liszt, Robert Schumann, Johannes Brahms and Felix Mendelssohn, among others, discovered and championed his works in the 19th Century. Today, Schubert is admired as one of the leading exponents of the early Romantic era in music and he remains one of the most frequently performed composers.
Given the depth, range and quality of the Deutsche Grammophon catalogue, it’s hardly been difficult to put together another anthology of great recordings and great artists. The structure is as before – here are 53 original albums (including three double-sets), featuring the great names of Deutsche Grammophon’s recording history, presented, once more, in alphabetical order of artist. Claudio Abbado leads off with a complete Carmen and Krystian Zimerman rounds off with his memorable account of the Chopin Ballades.
Admirers of Karajan will probably own most or all of these symphony cycles from what was probably the pinnacle of the conductor's prolific career. However, if you are unfamiliar with Karajan's work, or well enough acquainted with it to desire further exploration, then this amazingly inexpensive anthology can be enthusiastically recommended. I purchased all of these sets when they came out in DG's previous mid-priced "Karajan Symphony Edition," and I can testify to their consistently oustanding quality, both as performances and as interpretations. As recordings, however, it must be admitted that the sound is of variable quality; sometimes admirably vivid and well balanced, but frequently tending toward harshness, even garishness–particularly in those which come from the early digital era (cf. Bruckner's symphonies 1-3). Too bad Universal didn't see fit to give this magnificent legacy a sonic facelift. Still, the performances are sufficiently worthy of your attention to warrant purchase regardless of these sonic limitations.
Recorded over 6 months in 1991 in Berlin and Dublin, Achtung Baby was U2's seventh studio album. It was produced by Daniel Lanois , Brian Eno and Steve Lillywhite and mixed and engineered by Flood. Led by "The Fly", Achtung Baby spawned four more huge hit singles, "Mysterious Ways", "One", "Even Better Than The Real Thing" and "Who's Gonna Ride Your Wild Horses". Heralded by Rolling Stone’s Robert Hilburn as "U2’s daring descent into darkness”, the album was awarded the Grammy for Best Rock Performance and became one of the most acclaimed rock records of the nineties and of U2's career. As Bono said at the time, it was “the sound of four men chopping down the Joshua Tree”.
Brian Eno will soon issue expanded versions of four of his albums originally released in the 1990s Nerve Net (1992), The Shutov Assembly (1992), Neroli (1993) and The Drop (1997) will each be reissued as a two-CD deluxe editions containing the original album and an additional disc of unreleased and rare Eno work specific to each record. Nerve Net includes the first ever commercial release of lost Eno album My Squelchy Life; The Shutov Assembly features an album’s worth of unreleased recordings from the same period; Neroli includes an entire unreleased hour-long Eno ambient work New Space Music; and The Drop includes nine rarely heard tracks from the Eno archives. Each album comes in deluxe casebound packaging and is accompanied by a 16-page booklet compiling photos, images and writing by Eno that is relevant to each release.
The German heavy metal outfit, Rage, originally formed in the early '80s, and although the group has issued albums on a steady basis ever since, lead singer/bassist Peter "Peavey" Wagner is the only original member still in attendance. First known as Avenger, the group issued a pair of recordings (Prayer of Steel and Depraved to Black) before switching their name to Rage, to avoid confusion with a British band of the same name. 1986's Reign of Fear signaled the group's first album to be released under their new name, as they continued on in the same heavy hitting musical direction on subsequent releases; although they used some orchestral flourishes on their late-'90s experimental albums Lingua Mortis (1996) and XIII (1999)…