Claus Peter Flor and the Malasian Philharmonic Orchestra follow their acclaimed recordings of Smetana's Má Vlast and Suk's 'Asrael' with Dvořák’s Symphony No. 7.
George Szell's Dvorák performances feature his customary blend of razor sharp orchestral discipline allied to a wholly idiomatic, singing line. Even more interesting, he takes numerous liberties with Dvorák's orchestration in the Seventh Symphony, reinforcing the violins and woodwinds with horns at several points in the outer movements.
"No. 8" is a popular song that is in line with "New World", but the performance of Abad here is just "Abado flow" music. It is a subjective strong performance whether there is a live change, such as a change in strength or freedom of expression, yet it is also a splendid place where the naturalness of the song is not lost.
Bruckner‘s Seventh – The master‘s homage to Richard Wagner With the mighty build-ups and monumental fortissimi of Bruckner’s Seventh, Welser-Möst and his Clevelanders have their work cut out for them. And they do not disappoint. The most popular, and perhaps most easily accessible, of Bruckner‘s symphonies, the Seventh casts its spell on the audience with its clear-cut architecture and the wealth and fullness of its melodies. From the sweeping opening theme of the first movement to the victorious chords of the finale, the Cleveland Orchestra and its conductor deliver a magisterial reading of Bruckner‘s masterpiece. Cleveland‘s Severance Hall is the venue for this performance. This hall, an eclectic yet elegant mix of Art Deco, Art Nouveau, Classicism, Egyptian Revival and Modernism was inaugurated in 1931 and is still hailed today as one of the world‘s most beautiful concert halls. The Cleveland Orchestra, founded in 1918, began its ascent to the upper ranks of the world‘s ensembles after it moved to Severance Hall in 1931.
Combining the forces of two of the 20th century´s greatest musicians – Yehudi Menuhin and Herbert von Karajan in their only recorded performance together – this magnificent programme marks a high point in filmed classical music. Both features, Mozart´s Violin Concerto No. 5 and Dvorák´s “New World” Symphony, were directed by master film-maker and long-time Karajan collaborator Henri-Georges Clouzot (The Wages of Fear). Bonus: Herbert von Karajan in conversation with Yehudi Menuhin (on Mozart) and Prof. Joachim Kaiser (on Dvorák). Special bonus feature: Previously unreleased rehearsal session prior to Violin Concerto No. 5!
2018 will be branded as “Gewandhausjahr”: Gewandhausorchester celebrates its 275th birthday and the inauguration of Andris Nelsons as new Gewandhauskapellmeister. 39 year-old conductor Andris Nelsons takes on the prestigious position as the 21st Gewandhauskapellmeister, kicking-off this new era with concerts during the Festival in Leipzig from 19 February to 11 March 2018.