"…As far as sound goes, it's the best I've heard from Living Stereo and perhaps the best I've heard from my stereo period! The soloist to orchestra balance is just about perfectly even, which means the orchestra is considered an equal part by the engineers. I prefer that to the "I'm ready for my closeup now Mr De Mille" balance used by most producers in order to highlight the "STAR"." ~sa-cd.net
Antonin Dvorák's Piano Quartet No. 2 is one of the greatest chamber works of the 19th century (as are many of Dvorák's chamber compositions). Written in 1889 at the request of his publisher Simrock, it is a big, bold work filled with the Czech master's trademark melodic fecundity, harmonic richness, and rhythmic vitality. The first movement is a soaring, outdoor allegro with an assertively optimistic main theme accented by Czech contours and Dvorák's love of mixing major and minor modes. The Lento movement's wistful main theme is played with a perfect mixture of passion and poise by cellist Yo-Yo Ma. The music alternates between passages of drama and delicacy in this, one of Dvorák's finest slow movements in any medium. The Scherzo's stately waltz is contrasted by a lively, up-tempo Czech country dance. The finale is a high-stepping, high-spirited allegro with a strong rhythmic pulse that relaxes for the beautifully lyrical second subject. The development is a satisfying combination of motivic variety and strict structural logic. Dvorák packs a lot of music into this movement that lasts less than seven minutes. Ma and colleagues Isaac Stern, Jaime Laredo, and Emanuel Ax bring the same excitement, virtuosity, and cohesiveness to this work as they did in their recordings of the Brahms piano quartets.
"…65 exhilarating minutes!" ~Bayrischer Rundfunk
"Sehr viel schöne Musik auf neun reich gefüllten CDs. Jedes Werk erfährt eine mehr als angemessene Interpretation. Kaufen und genießen!" ~Grammophone
Sir Charles Mackerras and the London Philharmonic Orchestra shared a musical heritage spanning 45 years and this live recording of Dvorák’s Symphonic Variations and Symphony No. 8 from 1992 pays tribute to a partnership that exuded a joy and vivacity in music making.