Argentinean group Vox Dei started playing by the end of the 1960s. After signing up to independent label Mandioca, the band released "Azucar Amarga" and "Presente" in 1969; a year later, they issued the album Caliente. Vox Dei's conceptual album La Biblia, released in 1971, consolidated the band as one of the major local rock numbers. When Juan Carlos Godoy decided to leave the act, Ignacio Smilari joined in. Soon after Jeremias, Pies De Plomo came out, Vox Dei participated in a movie called Rock Hasta Que Se Ponga El Sol. In 1974, guitarist Carlos Michelini replaced Ricardo Soulé. The group disbanded after a live performance at Buenos Aires' Obras Sanitarias in 1981, returning in 1988 to make a new record called Tengo Razones Para Seguir.
Lunatic Soul is the solo project of Mariusz Duda, the lead singer and creative force behind the Polish band, Riverside. The album is called ‘Walking on a Flashlight Beam’ and comprises almost 64 minutes of brand new music.
Lunatic Soul is the solo project of Mariusz Duda, the lead singer and creative force behind the Polish band, Riverside. While far removed from Riverside's Progressive Metal it is not difficult to see comparisons and similarities to the parent band in the music contained on the eponymous debut album - not least of all because of Duda's distinctive clean vocals, the occasional guttural growl and, despite the lack of electric guitars, the pounding acoustic guitar riffs that appear on some of the tracks. However, this is not the lighter, unplugged side of Duda, it is a dark brooding mix of eclectic sounds with ethnic instruments and influences evoking eastern/oriental themes, psychedlic-era Pink Floyd-like rhythms, swirling and ethereal keyboards reminiscent of early Porcupine Tree tied together by songs that are surprisingly accessible and melodic.
Unchained unites the work of two, at-first, seemingly disparate composers, Polands Tomasz Sikorski and the African-American Julius Eastman. However, both died age 49, Sikorski in 1988, Eastman in 1990, both led troubled lives that spiraled out of control, both are experiencing posthumous rediscovery and, most importantly, musically both can placed, albeit with different methodologies, in the minimalist camp. The titling of the works in Eastmans case are confronting, the music less so. Played by the Lutosawski Piano Duo (Emilia Sitarz and Bartek Wasik), Joanna Duda and Mischa Kozlowski.