The two obscure sets reissued on this single CD from Original Jazz Classics were originally released as 10" LPs by the Nocturne label. The first six numbers are West Coast cool jazz by a sextet featuring baritonist Virgil Gonsalves, valve trombonist Bob Enevoldsen, and tenor saxophonist Buddy Wise. These concise renditions of five standards and the obscure "Bounce" find the musicians in excellent form, making the most of each note. The second half of the CD is an unrelated quartet date by the eccentric tenor saxophonist Steve White, who is joined by pianist Jimmie Rowles, bassist Harry Babasin, and drummer Roy Harte; trombonist Herbie Harper is a big asset on "Topsy." White's sound was quite influenced by Lester Young, while his odd singing (heard on "My New Jet Plane") is certainly unique. An interesting if not essential reissue.
Awesome 100 CD set containing a plethora of classic Big Band sounds from the era when Benny Goodman's 'Let's Dance' became the motto of an entire country…in fact, the whole world! The Big Band Box takes you from the formation of the original Big Band of Fletcher Henderson to the 17-piece line-up of Stan Kenton's Progressive Jazz. This 100-CD set is a fantastic tour through almost all the big bands / directors of note from the 1930s to 1950.
Paolo Conte is the most internationally successful of the Italian singer-songwriters who emerged in the 1960s and 1970s. He is also among the most idiosyncratic, eclectic and unusual exponents of what Franco Fabbri has defined as the canzone d’autore (author’s song). Nonetheless he remains a rather arcane, cult figure in the Anglophone world – an example of what Simon Frith has called ‘the unpopular popular’. A combination of apparent opposites – the provincial and the cosmopolitan – his music appropriates a global sweep of influences without being definable as ‘world music’. Characteristics of both his rough, untrained singing style and wry, ironic and opaque compositions have strong affinities with US singer-songwriters like Tom Waits and Randy Newman, and he draws heavily on early American jazz influences, although he remains quintessentially Italian. This makes him difficult to categorise in the world music market.