Dr. Jimmy Kildare and Nurse Mary Lamont are all sent to get married and her brother Doug Lamont has come to New York. When Jimmy meets him he notices strange behavior on his part such as sudden inattention or acting as if he was hearing sounds that are non-existent. The doctor starts to diagnose him and comes to the conclusion that he probably has epilepsy, a hereditary disease that could conceivably affect Mary as well, even though she has never shown any symptoms. Dr. Kildare is worried about this part of medicine and how you tell someone that they have a disease that they can do nothing about. It's left to Dr. Leonard Gillespie to come up with a solution and ensure that Jimmy and Mary can still get married.
Dr. James Kildare has just completed his internship at Blair General Hospital and is assigned to work with his mentor, Dr. Leonard Gillespie. But fearing for the health of his father, Dr. Stephen Kildare, he returns to his parents home in Parkersville to help him with his excessive workload servicing a wide area ever since other doctors moved elsewhere. Noting that three doctors at Blair General are doing menial jobs because they can't start practice, Kildare conceives the idea of building a clinic in Parkersville to be serviced by the three doctors and financed by the townsfolk paying ten cents a week to subscribe to the service. But influential men in Parkersville provide serious opposition to the plan.
Fresh out of medical school, young Dr. James Kildare decides to leave his father's country practice and take up a position at a large New York hospital. There he meets the famous Dr. Leonard Gillespie who becomes his mentor. Kildare finds himself in serious trouble when he saves a suicidal woman who turns out to be an heiress with a powerful family.
Something scary is happening to boys today. From kindergarten to college, they are less resilient and less ambitious than they were a mere 20 years ago. Fully one-third of men ages 22 to 34 are still living at home with their parents, about a 100 percent increase in the past 20 years. Boys nationwide are increasingly dropping out of school; fewer are going to college.
An incoherent tribute to Leonard Cohen, I'm Your Fan contains some fine versions of some of his best songs, but too often these renditions are half-hearted. Of particular interest are R.E.M.'s "First We'll Take Manhattan" and The Pixies' "I Can't Forget".
Digitally Remastered Compilation Chosen by the Staff of Mojo Magazine to Introduce a New Generation to the Great Music of the Past. The Legendary Canadian Poet and Songwriter is in the Same Class as Bob Dylan and Serge Gainsbourg, but Never Had the Kind of Mass Exposure and Celebration that the Other Two have Experienced, Except in Influential Circles. Doubtless There Will One Day Be a Vehicle (Movie, Cover Version) which Will Elevate Cohen to the Commercial Level of his Contemporaries. In the Meantime, You Can Enjoy this Selection by People who Know his Music Backwards and Forwards and Delve Into the Psyche of a True Genius with this Collection. It Will Only Leave You Yearning for More, So Get Ready to Open Up Your Pocketbook to his Catalog.
A limited guitar player at best, and with a voice that hardly spans a couple of octaves, Leonard Cohen has nonetheless fashioned a legacy of gorgeously realized songs that reach deep into the heart of lust, ill- and well-fated romance, hope, and redemption, and if he doesn't sing like an angel, he could certainly mesmerize one with the melody, lilt, and power of his songs…
Leonard Slatkin is an exceptionally versatile conductor, but it is perhaps in French repertoire of the 19th and 20th centuries that he feels most comfortable. The singers in Ravel's exquisitely formed little comic opera L'Heure espagnole, complete with cheating lovers hidden inside grandfather's clocks carried up and down stairs, are all entirely appropriate and admirably clear, but it is really Slatkin who's the star here, right from the "Introduction" that's so artfully linked to what follows. Ravel here cultivates a kind of updated accompanied recitative, well matched to his stated goal of reviving the old tradition of Italian opera buffa.