You may remember him as the leader of the All-Star Frogs (1970-1983) and the Power Trio (1983-present), doing humorous and raunchy blues originals such as “Tie You Up!” and “More Love, More Money”. You may remember the Tumatoe tours of local clubs and endless spins of his songs on college radio in the ’70s and ’80s. You may not know that he played in a FIJI house band (Lothar and the Hand People) at the University of Illinois, the band name created by Bill Geist, CBS Sunday Morning News Correspondent; recorded for Warner Bros. (I Like My Job, produced by John Fogerty of Creedence Clearwater Revival fame); and was a member of REO Speedwagon — he left in 1969, evidently taking all rocking bluesy rootsy-ness with him — and he grew up on the South Side of Chicago, a blues-loving youth who hung with the legends.
Digitally remastered two CD set containing a pair of albums from iconic New Orleans singer/songwriter Mac Rebennack AKA Dr. John. By the end of the '90s, Dr John was again embracing the mysterious bubbling gumbo of his Gris-Gris era, which was music to the ears of a generation of younger British musicians such as Paul Weller, Gaz Coombes of Supergrass and Jason Pierce of Spiritualized. While Pierce is credited with producing two tracks here, the lion's share of ANUTHA ZONE was helmed by UK producer legend John Leckie. Although much of the album was recorded in New York in 1998, six tracks were recorded at Abbey Road, with guest appearances from the UK stars above. The following year saw Dr John pay his respects to the music of Duke Ellington - like he says: 'Doesn't sound like these tunes were written by a hundred year-old cat, but they were. You want to know the ticket to immortality, write a bunch of tunes that people keep on singin' and playin'. The package includes 24 page booklet is fully annotated by Paul Myers.
Reissue with the latest remastering. Comes with liner notes. George Benson's first LP for Columbia – a hard, heavy, soul jazz slammer that bears no resemblance to his overproduced work of the 70s! The album's a real cooker – recorded hot on the heels of Benson's classic work on Prestige with the Jack McDuff group, and sounding a lot like McDuff's hard wailing organ jazz of the same time. George is working with a group that features a young Lonnie Smith on organ, plus Blue Mitchell on trumpet, Ronnie Cuber on sax, and Charlie Persip on drums – all tightly coming together, and jamming hard on the album's short cooking tracks. Tracks include "Clockwise", "Jaguar", "Hello Birdie", and "Bullfight". Plus, the CD adds five bonus tracks, including "Sideman", "Minor Chant", and the previously unreleased "J.H. Bossa Nova" and "Clockwise (Alternate Take)".
Released in 1974, Faces in Reflection was, in many ways, George Duke's third album as a leader for MPS. The first two, Solus and The Inner Source, were recorded separately but issued as a double-LP by SABA, which shortly thereafter ceased doing business and was folded into MPS. That said, there is little resemblance between the man who recorded his early albums like Save the Country, those aforementioned, and the seasoned studio experimentalist who cut Faces in Reflection. Duke's periods with Cannonball Adderley and Frank Zappa (the latter an ongoing relationship; it was Zappa who introduced Duke to the synthesizer) had taught him a ton musically and about working in the studio. The players here include Leon "Ndugu" Chancler and bassist John Heard.