Donizetti L'elisir D'amore Pavarotti

Gaetano Donizetti - L'Elisir d'Amore (Pavarotti, Battle, Nucci, Dara - Levine) [1990]

Gaetano Donizetti - L'Elisir d'Amore (Pavarotti, Battle, Nucci, Dara - Levine) [2009]
EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 2cd, 516 MB
Classical | Label: Deutsche Grammophon | TT: CD1:60’56; CD2:41’40

This studio recording was made in 1989 coinciding with a memorable production from the Metropolitan Opera, later captured on DVD. It's a delightful performance, and a wonderful highlight of Pavarotti's later career. Kathleen Battle's sparkling soprano is a brilliant accompaniment to Pavarotti's still-ringing tone.
"Pavarotti's voice was still beautiful and pliable, his phrasing exquisite. And he loved the role of Nemorino and always seemed happy with both its comedy and pathos–he steals every scene he's in, and no one minds…Kathleen Battle sings Adina with perfect, pearl-like tone, absolute fluency and commitment, and a trill to die for…Enzo Dara is an ideal Dulcamara, just the right combination of huckster and sentimentalist, with ease in every register and with fast music."
– Robert Levine,
Cossotto, Pavarotti, Orchestra del Teatro Comunale di Bologna, Bonynge - Donizetti: La Favorita (1990/2014) [24bit/96kHz]

Cossotto, Pavarotti, Orchestra del Teatro Comunale di Bologna - Donizetti: La Favorita (1990/2014)
FLAC (tracks) 24 bit/96 kHz | Time - 167:59 minutes | 2,96 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Gaetano Donizetti opera's La Favorita originally had a French libretto and the title La Favorite. One of Donizetti’s finest music dramas, it was written at his peak as an orchestrator. The Italian, and better-known version, evolved two years after the French premiere and has become the more-performed version, exemplified by this famous 1974 recording starring Luciano Pavarotti, Fiorenza Cossotto, Gabriel Bacquier and Nicolai Ghiaurov. Pavarotti's voice has been called "youthful and fresh" on this album. Pavarotti's frequent collaborator Richard Bonynge conducts the Orchestra of the Teatro Comunale, Bologna.
Joan Sutherland, Luciano Pavarotti, The Royal Opera House - Donizetti: La Fille du Regiment (1967/2014) [24bit/96kHz]

Sutherland, Pavarotti, The Royal Opera House, Bonynge - Donizetti: La Fille du Régiment (1967/2014)
FLAC (tracks) 24 bit/96 kHz | Time - 106:29 minutes | 2,11 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Even Dame Joan Sutherland has rarely if ever made an opera recording so totally enjoyable and involving as this. With the same cast (including chorus and orchestra) as at Convent Garden, it was recorded in 1966 immediately after a series of live performances in the Royal Opera House, and both the comedy and the pathos come over with an intensity born of communication with live audiences. That impression is now the more vivid on this superb transfer, for with spoken dialogue used in this original French version of the opera the absence of background noise is a special benefit, and the production vividly captures the developments in the story.
Joan Sutherland, Luciano Pavarotti, English CO, Richard Bonynge - Donizetti: L'Elisir d'Amore (1971/2014) [24bit/96kHz]

Sutherland, Pavarotti, English Chamber Orchestra, Bonynge - Donizetti: L'Elisir d'Amore (1971/2014)
FLAC (tracks) 24 bit/96 kHz | Time - 140:20 minutes | 2,72 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Donizetti's rollicking comic opera "The Elixir of Love" receives a scintillating performance in this early 1970's London/Decca recording. Featuring an unbeatable cast, headed by Joan Sutherland and Luciano Pavarotti, this wonderful interpretation demonstrates singing of the highest levels of artistic integrity- definitive, passionate, lyrical, committed. The English Chamber Orchestra responds to Richard Bonynge's direction to provide sharp, colorful orchestral support, and the Ambrosian Opera Chorus' performance can only be described as brilliant. Donizetti wrote immediately attractive operatic works, this "Elixir of Love" being a perfect example.

Donizetti - Belisario (Mark Elder) [2013]  Music

Posted by Vilboa at March 20, 2017
Donizetti - Belisario (Mark Elder) [2013]

Donizetti - Belisario (Mark Elder) [2013]
Classical | Opera Rara ORC49 | TT: 69.00+77.05 | EAC (flac, cue, log) | Covers | 511 Mb

Belisario is, quite simply, one of Donizetti’s finest achievements. Dating from the high watermark of Donizetti’s maturity, with its premiere in 1836 (the year after the debut of Maria Stuarda in Milan and Lucia di Lammermoor in Naples), Belisario proved a triumph on stages throughout the 19th century. Yet, incredibly, it is little known today. The libretto, by Salvadore Cammarano (who collaborated with Donizetti on Lucia di Lammermoor), tells the moving and typically complicated story of the 6th century Byzantine general. Falsely accused by his wife, Antonina, of killing their son, he was blinded and exiled as his punishment. Only the recognition by his daughter, Irene, that her father’s former captive, Alamiro, was her long-lost brother restores Belisario’s reputation; tragically, too late to save his life.

Donizetti - Maria Stuarda (Giuseppe Patane) [1990]  Music

Posted by Vilboa at March 5, 2017
Donizetti - Maria Stuarda (Giuseppe Patane) [1990]

Donizetti - Maria Stuarda (Giuseppe Patanè) [1990]
Classical | Philips 426 233-2 | TT: 133.26 | EAC (flac, cue, log) | Covers | 519 Mb

How this opera grows in the affections. And how it strengthens the larger, ever-deepening appreciation not merely of Donizetti's work but of operatic conventions as such. I mean that the frequently derided forms of opera (the set pieces, aria-and-cabaletta and so forth) can increasingly be a source of pleasure and of perceived power in the writing. Here, for instance, part of the exhilaration arises out of the composer's skill in suiting the conventions to his dramatic and musical purposes. Elizabeth's first aria, meditatively hopeful yet anxious, fits the lyric-cantabile form; then the arrival of Talbot and Cecil with their opposing influences provokes the intensified turbulence of irresolution that makes dramatic sense out of the cabaletta. It is so with the duets and ensembles: they look like conventional set-pieces, but established form and specific material have been so well fitted that, with the musical inspiration working strongly (as it is here), you have opera not in its naive stage awaiting development towards freedom from form but, on the contrary, opera at the confident height of a period in its history when it was entirely true to itself.
Donizetti - Le convenienze ed inconvenienze teatrali (Vito Clemente) (2010)

Donizetti - Le convenienze ed inconvenienze teatrali (Vito Clemente) (2010)
NTSC 4:3 (720x480) VBR | Italiano (Dolby AC3, 2 ch) | (Dolby AC3, 6 ch) | 6.60 Gb (DVD9) | 151 min
Classical | Bongiovanni | Sub: Italiano, English

An opera about a company who are staging an opera? Donizetti is at the height of his comic powers and provides an abrasively disenchanted take on a world he knew all too well, with it tantrum-throwing primadonnas and narcissistic tenors, its spite and envy, its mean and noble sides… a world which is still very much with us.

Luciano Pavarotti - Christmas with Pavarotti (2016)  Music

Posted by tomashass at Nov. 12, 2016
Luciano Pavarotti - Christmas with Pavarotti (2016)

Luciano Pavarotti - Christmas with Pavarotti (2016)
MP3 320 kbps CBR | 02:18:39 | 322 MB
Genre: Classical, Opera, Christmas | Label: Decca

Luciano Pavarotti, the worlds favorite tenor and classical musics most popular recording artist ever, continually appears at the top of the classical and pop charts.

Donizetti - Gianni di Parigi (Giacomo Sagripanti) (2013)  Music

Posted by Vilboa at Oct. 15, 2016
Donizetti - Gianni di Parigi (Giacomo Sagripanti) (2013)

Donizetti - Gianni di Parigi (Giacomo Sagripanti) (2013)
NTSC 4:3 (720x480) VBR | Italiano (LinearPCM, 2 ch) | 7.30 Gb (DVD9) | 111 min
Classical | Bongiovanni | Sub: Italiano, English

Dedicated by Donizetti to Rubini (the part of the protagonist was written expressly for the famous tenor), Gianni di Parigi is a delightful opera, rich in brilliant music and often very inspired, alternating pages of high virtuoso belcanto singing to others of gentler melodic effusion, already truly romantic, and reaching to the highest levels of Donizetti's comic spirit in the long articulated scene of the two buffi, justifiably the best known piece of the opera.

Donizetti - Poliuto (Enrique Mazzola) (2016) [BluRay-rip]  Music

Posted by Vilboa at Oct. 7, 2016
Donizetti - Poliuto (Enrique Mazzola) (2016) [BluRay-rip]

Donizetti - Poliuto (Enrique Mazzola) (2016) [BluRay-rip]
BluRay-rip | AVC | MKV 1920x1080 / 6215 kbps / 29,97 fps | 117 min | 5,47 Gb
Audio: Italian / AAC / 6ch / 48.0 KHz / 448 kbps
Classical | Opus Arte | Sub: English, French, German, Japanese, Korean

Glyndebourne has brought to light a long-overlooked winner in Donizetti’s Poliuto, delivering ‘a superb musical performance’ (The Telegraph) offering ‘lucent accounts of the principal roles and an incandescent London Philharmonic Orchestra, under Enrique Mazzola’ (New York Times). This first ever professional UK staging of the story of third-century Armenian martyr St Polyeuctus features a ‘trio of world-class young singers’ with Fabiano, winner of the Beverly Sills and Richard Tucker awards, displaying a ‘thrilling, vibrant tone’ in the title role, Martínez providing Paolina with ‘pinging coloratura’ and Golovatenko giving a ‘radiant-toned’ voice to Severo. (The Guardian)