This studio recording was made in 1989 coinciding with a memorable production from the Metropolitan Opera, later captured on DVD. It's a delightful performance, and a wonderful highlight of Pavarotti's later career. Kathleen Battle's sparkling soprano is a brilliant accompaniment to Pavarotti's still-ringing tone.
"Pavarotti's voice was still beautiful and pliable, his phrasing exquisite. And he loved the role of Nemorino and always seemed happy with both its comedy and pathos–he steals every scene he's in, and no one minds…Kathleen Battle sings Adina with perfect, pearl-like tone, absolute fluency and commitment, and a trill to die for…Enzo Dara is an ideal Dulcamara, just the right combination of huckster and sentimentalist, with ease in every register and with fast music."
– Robert Levine, ClassicsToday.com
For me, this recording represents the absolute epitome of bel canto singing, with Pavarotti spinning endless golden tone as Fernand and Fiorenza Cossotto showcasing that indomitable chest-voice as Leonora.–Katherine Cooper
Recorded in 1967, the recording features Joan Sutherland and Luciano Pavarotti at the high-noon of their careers! Pavarotti, with great charm and humor, tosses off endless high notes in a barnstorming performance. Sutherland easily tackles the great vocal demands and gives an effortlessly stunning performance. No other recording of this opera has come close to surpassing this classic for vocal beauty and sheer thrills!
A year after the two hundredth anniversary of Gaetano Donizetti's birth (1797) and 150 years after his death (1848), the Teatro de la Maestranza de Sevilla chose to open its 1998-9 operatic season with four performances of Alahor in Granata, an almost forgotten opera by the composer. This is an event al a huge historical importance since it marks the first time that the opera has been performed in the XXth century. Alahor in Granata was first performed in the Teatro Carolino in Palermo on the 7th of January 1826 but, although the opera was again staged in the same city in 1830, it later passed into oblivion and has never been performed ever since. Up until now, as was the case with many of Donizetti's works, a hundred and seventy two years after its premiére, we had very little news about this beautifull masterpiece's original fate. Perhaps the fact that the music score was never published at the time of its creation, and the fact that Donizetti was to use some of its musical passages in some of his later works, lead us to assume that during his life, the composer gave little or no importance to this operas youthful score.
From Dynamic comes the riveting opera performance of Olivo e Pasquale, a fan favorite that has delighted audiences for years. Known also as Melodramma giocoso, or romantic comedy opera about the title character brothers and their conflicting lives with those around them, this is the 1827 Neapolitan version with slight revisions and recorded for the first time at the 2016 Donizetti Festival of Bergamo.
Luciano Pavarotti will always be associated with the role of the painter Cavaradossi in Puccini's Tosca. His interpretations of the arias "Recondita armonia" and "E lucevan le stelle" became two of his greatest hits, which he sang at all his stadium concerts .
For millions of people all over the world Luciano Pavarotti literally was Classical music. This outstanding collection of popular oprera arias and duets, sacred songs, and Neapolitan favourites is drawn from the finest recordings Luciano Pavarotti made during an unparalleled career, and presents the definitive profile of one of the most important voices of all time. From 'La Donna E Mobile', 'O Sole Mio' and 'Torna a Sorriento' to Christmas classics 'O Holy Night' and 'Panis Angelicus', including, of course, his celebrated 'Nessun Dorma'. Bonus duets with Andrea Bocelli ('Notte e piscatore'), Cecilia Bartoli ('Cherry Duet') and Frank Sinatra ('My Way') included.