Inspired early on by the experimental pieces of Krzysztof Penderecki, Radiohead's guitarist and composer Jonny Greenwood has pursued the idea of shaping orchestral sounds in enexpected ways to produce startling and innovative works. Just as Penderecki wrote for conventional instruments and turned dense bands of microtonal dissonances and extended techniques into the agonized cries of Threnody for the Victims of Hiroshima and the pulsating roars and shrieks of Polymorphia, Greenwood achieves comparable effects in his multilayered and highly varied orchestral music. The massed harmonies and swooping glissandi of Popcorn Superhet Receiver owe a considerable debt to Threnody, which Greenwood would gladly admit; because the title 48 Responses to Polymorphia openly acknowledges the connection to that work, it is easy to identify Greenwood's raw materials and how he brilliantly reworks them to his purposes. This 2012 release from Nonesuch consists of recordings made with the Aukso Orchestra in Kraków, Poland, with Penderecki conducting his own works and Marek Mos conducting Greenwood's compositions.
Centered around the Byrd/Adams Blue Note dates Byrd in Hand, Chant, Royal Flush, The Cat Walk, and Off to the Races, Mosaic's Complete Blue Note Donald Byrd/Pepper Adams Studio Sessions finds the Detroit natives at the top of their game during 1959-1962. Writing and performing some of the most original and tight hard bop around, Byrd and Adams led a variety of combos that featured the likes of Herbie Hancock (his first session), Wynton Kelly, Duke Pearson (who also contributed material), Charlie Rouse, Sam Jones, and Billy Higgins. From distinct covers ("Lover Come Back to Me") to seamlessly complex originals ("Bronze Dance"), Byrd's pure-toned trumpet and Adams' angular baritone unexpectedly make a perfect match. And beyond a wealth of sides that prove the point, the collection also features – in typically thorough and classy Mosaic fashion – some stunning session photos by Blue Note lensman Francis Wolff and an extensive essay by Bob Blumenthal. A hard bop experience of the highest order.