Given the long period of time that Donald Byrd recorded for Blue Note (from the 1950s through the mid-'70s), it seems more than a little disingenuous to refer to the relatively brief period he spent with the Mizell Brothers as his producers, arrangers, and composers in the '70s as his best work. It is true that it was his most commercially viable period, and that many of the cuts he recorded with them ~ AllMusic
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Jazz trumpeter Donald Byrd’s critically acclaimed career and life have assured the Detroit native his rightful place as one of the most respected musicians of the 20th century. Having successfully transitioned to Jazz Fusion in the 1970s under the guidance of the Mizell brothers, creating four albums on Blue Note records including the highly influential Places and Spaces, Byrd continued to explore the fertile possibilities of Fusion with four more albums recorded for Elektra Records between 1978 and 1982.
One of his last efforts with the Mizell production team was definitely not his most critically acclaimed, but Caricatures continued Byrd's commercial winning streak that started years previous with 1969's Kofi and such '70s Blue Note classics as Places and Spaces, Black Byrd, and Street Lady. His last release for the label was no exception to the formula set forth from the previously mentioned albums. ~ AllMusic