Matthew Robert "Matt" Fink, better known by the stage name Doctor Fink, is an American keyboardist, record producer, and songwriter. He is best known as a member of The Revolution, the backing band for pop musician Prince. Fink won a Grammy Award in 1985 for the album Purple Rain. The recording has sold over 18 million copies since its release…
After the success of Così fan tutte and The Marriage of Figaro, René Jacobs' CD recording of this centrepiece of the Mozart/Da Ponte trilogy offered us his reflections on Classical opera and garnered serious acclaim worldwide. Performed at the Innsbruck festival in August 2006 and filmed in Baden-Baden, this production is nourished by his thoughts on Don Giovanni as taboo-breaker but still respects Mozart's intentions as closely as possible.
In the documentary Looking for Don Giovanni, the director Nayo Titzin follows the creation of this production in the search for musical truth.
Digitally remastered two-fer from the Folk/Rock singer/songwriter containing two of her original albums on one CD: Secret Life of J. Eddy Fink (1968) and Who Really Cares (1969). These are a young Janis' third and fourth recordings for Verve. She retired from music at 19, but returned to go onto huge success with her 1974 album Stars and a long international career.
Carter Burwell's darkly mysterious orchestrations play a significant stylistic role in both Barton Fink and Fargo, two of the best films from acclaimed independent filmmakers Joel and Ethan Coen, particularly in light of the oft-violent content of the Coens' stories: violence can of course be laughable when the characters are too goofy to be believed, and tragic when the characters are too believable to be goofy, but the Coen brothers' creations are somewhere in between. They strike a precarious balance between a broadly comic Beckett-esque absurdism and a more straightforward, three-dimensional naturalism. Consequently, Burwell's grave, sweeping scores are a crucial reassurance that the Coens are not taking their characters' personal tragedies less seriously than are their audiences. Most of the tracks on this CD are from Fargo, reprising the heartbreakingly elegiac theme several times over (in orchestral versions and in sparse violin arrangements that echo the folk music indigenous to the snow-swept northern territories of the film).