This isn't the 'Vivaldi Vespers', or even a reconstruction of a specific event, but a kind of 'sacred concert' in Vespers form, of the sort that Venetian churches in Vivaldi's time would mount in the name of worship.
Whether he ever supplied all the music for any such occasion isn't clear, but he certainly set plenty of Vespers texts, enough at any rate for Rinaldo Alessandrini and scholar Frédéric Delaméa to put together this rich programme.
Danish-German composer Dietrich Buxtehude has an extensive output of vocal music in addition to his far better known canon of organ music. The vocal music is more obscure in that it is such a mixed bag. The oratorios he wrote have gone lost, many pieces relate directly to the organ music in a way that is difficult to divine now and some of the sacred concertos he composed are less than compelling, written for afternoon lunch concerts and not meant as "serious" music.
Released in conjunction in 2002 with the four-disc box set Walking to New Orleans, as well as three other titles in EMI/Capitol's Crescent City Soul series, The Fats Domino Jukebox: 20 Greatest Hits the Way You Originally Heard Them becomes the definitive single-disc Fats collection on the market nearly by default – it's remastered, it's the one in print, and it has a flawless selection of songs. It's not markedly better than, say, the '90s' definitive Fats compilation, My Blue Heaven, since it has essentially the same track selection and even if the tapes were restored to their originally running speed, the difference is not enough for most ears to notice, but it's still a great collection of some of the greatest music of its time, and it summarizes Domino's peaks excellently. So, if you don't already have a Fats Domino collection, this surely is the one to get.