The most popular exponent of the classic New Orleans R&B sound, Fats Domino sold more records than any other black rock & roll star of the 1950s. His relaxed, lolling boogie-woogie piano style and easygoing, warm vocals anchored a long series of national hits from the mid-'50s to the early '60s. Through it all, his basic approach rarely changed. He may not have been one of early rock's most charismatic, innovative, or threatening figures, but he was certainly one of its most consistent.
Domino's first single, "The Fat Man" (1949), is one of the dozens of tracks that have been consistently singled out as a candidate for the first rock & roll record.
Five of the discs on this six-CD set are previously released Naxos recordings of a broad variety of works by Estonian composer Arvo Pärt. The set offers a generous sampling of works spanning the composer's career, from his polystylistic Collage über BACH (1964) for orchestra to his 2001 Nunc dimittis for a cappella chorus.
Jean-Joseph Cassanéa de Mondonville, although little known, was much less of a petitmaître than Boismortier or Michel Corrette, for instance. Born in 1711, he occupied quite an important place in early eighteenth-century French musical life. He was a fine violinist, a successful composer of church music and an active personality in the "Concerts Spirituels", public concerts which became established in Paris in 1725.