Falling halfway between the modern R&B of Introducing the Hardline and the extravagant Neither Fish nor Flesh, Symphony or Damn is Terence Trent D'Arby's most ambitious album yet. It's also his best, because it takes the fine songwriting of his debut and melds it to the sonic excesses of Fish. Sure, some of it is embarrassing (it's hard not to cringe during the "Welcome to My Monasteryo" declaration at the beginning of the album), but more often than not, D'Arby's experimentations succeed, and succeed grandly, at that.
Il trentesimo Festivalbar si svolse nel 1993 presso l'Arena di Verona in Verona.
Venne condotto da Claudio Cecchetto e Federica Panicucci. Per le prime serate, Cecchetto è sostituito, causa malattia, da Amadeus e Fiorello.
I vincitori dell'edizione furono Raf con il brano Il battito animale, nella sezione dei singoli, e gli 883 con Nord sud ovest est, in quella degli album.
This provided fresh looks at 11 Collins classics, among them such epic numbers as "Don't Lose Your Cool," "Frosty," "Honey Hush" and "Tired Man." There were slow, wailing ballads with blistering solos, electrifying uptempo wailers with a great horn section answering Collins' phrases with their own bleats, and first-rate mastering and production. Guest stars included B.B. King, Branford Marsalis, Kim Wilson and Gary Moore, while Collins injected vitality into numbers he'd already made standards years ago. This set is a wonderful tribute to an incredible guitarist and musician.
28-year-old Austin, TX, native Gary Clark Jr. exploded onto the music scene with incredible impact when he delivered an incendiary debut performance of his song "Bright Lights" at Eric Clapton's 2010 Crossroads Guitar Festival in June 2010. Boasting a distinguished sound that fuses deep blues influences with classic hip-hop and contemporary soul, Clark is a rocking soul man for a new generation.
On this 2006 release, Tab Benoit, the blues guitarist who throughout his career has embraced virtually every shade of American roots music, reconnects to his earliest and most profound influences with the help of some old friends. The thirteen-track set features Benoit's solid guitar and vocal attack supported by the popular Louisiana band, LeRoux, with the addition of special guest appearances by some of the most seasoned country and Cajun songwriters and musicians of the past three decades: Jim Lauderdale, Billy Joe Shaver and fiddler Waylon Thibodeaux.
The Iceman is in remarkable form on this 1992 live date, offering proof positive that his smoldering Texas-style electric blues is ageless. With a set list that spans from his early hit "Frosty" to tracks from his 1991 release, ICEMAN, Albert Collins's stinging technique makes his Telecaster sing out over his no-holds-barred full electric band. A deeply satisfying blues excursion, LIVE AT MONTREAUX was recorded merely a year before Collins's death from cancer, making it a fitting tribute as well as a fine concert recording.
Deluxe Edition is a solid, albeit imperfect, 13-track collection of highlights from Albert Collins latter-day recordings for Alligator. There are only a handful of genuine classics, but there are a lot of great performances that spotlight Collins stinging guitar work and impassioned vocals. Nevertheless, it's only adequate as an introduction, since Ice Pickin' remains the place to become acquainted with Collins blistering blues.
Filmed just a year before his untimely death from cancer, this 1992 concert from Montreux finds the great Albert Collins still at the top of his game. With his trademark Fender Telecaster and distinctive finger picking style well to the fore "The Iceman" delivers a set that runs from his early million selling single "Frosty" right up to songs from his final studio album "Iceman".