Whenever he was asked to name his own personal favorite within his long and distinguished oeuvre, Jerry Goldsmith inevitably cited his work on 1977's obscure Ernest Hemingway adaptation Islands in the Stream. A lush, often melancholy score evoking both the serenity and the treachery of the sea, it is undoubtedly Goldsmith's most intimate effort, eschewing the larger-than-life drama and suspense of his best-known soundtracks. Islands in the Stream is above all a showcase for the composer's consummate ability to vividly communicate both the physical and emotional landscape in such simple yet precise strokes – employing little but a lone French horn, Goldsmith's main theme captures the immense loneliness and solitude of George C. Scott's protagonist, while gentle woodwinds suggest the ocean waves lapping the shore of his island home.
Ben Frost has composed the score for a new 12-part TV series called "Fortitude", a crime drama that takes place on the Arctic Circle and features Christopher Eccleston, Stanley Tucci, Michael Gambon, and Sofie Gråbøl. The series was created by Simon Donald and premiered last week on Pivot/Sky Atlantic.
ONCE is a modern day musical set on the streets of Dublin. Featuring Glen Hansard, lead singer of the Irish band "The Frames," the film tells the story of a street musician and a Czech immigrant during an eventful week as they write, rehearse and record songs that reveal their unique love story. Contains 13 original songs written and performed by Glen Hansard and Marketa Irglova, all of which are performed in the film. A collector's edition of the soundtrack was released on 4 December 2007 in the US with additional songs and a bonus DVD with live performances and interviews about the film. The additional songs were two previously unreleased Van Morrison covers: Hansard's "And the Healing Has Begun", and Hansard and Irglová's "Into the Mystic".
Baz Luhrmann's garish, flamboyant adaptation of Romeo + Juliet was hyper-kinetic and colorful, boasting a heavy inspiration from the visual style of MTV, so it's only appropriate that the soundtrack was tailored for the alternative nation that MTV fostered. Combining modern rock acts like Garbage, Radiohead, the Cardigans, and the Butthole Surfers with contemporary soul like Des'ree and adult alternative like Gavin Friday, the album is slick, polished, catchy – and surprisingly strong. Though the soul and pop is good, the alternative rock acts on the soundtrack fare the best, with Garbage and Radiohead both contributing excellent B-sides ("Number One Crush" and "Talk Show Host," respectively), with the Cardigans' sleek, sexy lounge-disco number "Lovefool" stealing the show.