In the late spring of 1972, after numerous invitations to reunite, the elusive Dion DiMucci finally agreed to perform – for the first time in 12 years – with the original members of the Belmonts in a one-off concert as part of a rock and roll revival show to be held at Madison Square Garden. The date was June 2, 1972. The arena was sold out and the atmosphere was electric. The legendary Bronx, New York-based vocal group had earned a reputation not only for topping the charts but for creating some of the most vital and exciting doo-wop music on the American scene. With songs such as “I Wonder Why,” "A Teenager In Love" and "Where or When," Dion and The Belmonts earned their place in the history books, while the group's pioneering role in the development of rock 'n' roll underscored their enduring accomplishments. For this magical night Billy Vera and his band would be the backing band. “It was like an earthquake. You could literally feel the stage shake.” - Billy Vera
The Belmonts are an American doo-wop group from the Bronx, New York, that originated in the mid-1950s. The original group consisted of Fred Milano, Angelo D'Aleo, and Carlo Mastrangelo. They took their name from Belmont Avenue, the street Milano lived on. There were several stages in their history, including the 1958–1960 period with Dion DiMucci, when the group was named Dion and the Belmonts. At this time Mastrangelo sang the bass parts, Milano the second tenor, D'Aleo the falsetto, and DiMucci did lead vocals. With Dion they scored such hits as 'A Teenager in Love' (No 5) but this was a short relationship & after Dion went solo, they continued to gain hits with such songs as 'Tell Me Why' (No 18), 'Come on Little Angel' (No 28)…
Featuring 40 original recordings on 2CDs, this compilation includes the very best of Dion & The Belmonts with classic tracks such as 'The Wanderer',' Run Around Sue', 'Dream Lover', 'A Teenager In Love' and more!
Another quality Time-Life music collection with 500 originals from the period 1955-1964, the so called "Rock'n'Roll Era". In addition of this wonderful classics' parade, you will acquire a R'n'R encyclopedia, since each CD comes with an extensive description and historical data, in a 6 page booklet, scanned at 600 dpi. Enjoy excellent music and artwork.
Although a fourth Aynsley Dunbar Retaliation album (Remains to Be Heard) would be cobbled together from outtakes and recordings done without Dunbar, their third LP, To Mum, From Aynsley and the Boys, was truly the final proper full-length release by the original group. Dunbar had expressed some interest in moving further afield from the blues-rock format around the time the record was done, and the addition of keyboardist Tommy Eyre (from the Grease Band) to the lineup was one step in that direction. The enlistment of John Mayall as producer was perhaps another step in attempting to refine their sound. Still, much of To Mum, From Aynsley and the Boys is pretty standard late-'60s British blues-rock, in line with the previous two albums by the band. Eyre does inject some of the arrangements with a jazzy, more R&B feel, particularly on "Leaving Right Away" and the instrumental "Unheard," the latter of which sounds like a rock band trying to do modern jazz and finding themselves a bit out of their depth.
Keiko Matsui is the Stevie Nicks of contemporary jazz. In her photos, she always appears pale, out of a mist, like a fairy goddess or angel. Her creative and long popular blend of classical piano, aggressive jazz/funk, orchestral grandeur, and sonic elements from her native Japan allows her to create both poignant ballads and more aggressive fusion statements. Over the course of her last few albums, Matsui's Lindsey Buckingham – always at her side, pushing her performance harder and higher – has been seductive saxman Paul Taylor. On this ethereal mind trip, Full Moon and the Shrine (Countdown/Unity), she doesn't let Taylor stray too far.