Digital Masters

VA - Digital Masters III - 100 Years Denon [AUDIO] {Germany 2010}

VA - Digital Masters III - 100 Years Denon
FLAC, EAC, LOG & CUE | Lossless Artwork | Size: 383 MB
Label/Cat#: AUDIO Magazine | Country/Year: Germany 2010
Genre: Rock, Acoustic, Classical | Hoster: Filesonic/Uploaded/Filepost

CD is part of german audiophile magazine AUDIO and features some great artists and recordings to test your equipment. Celebrating the 100th anniversary of Denon. More of these to come.

VA - Digital Masters II - Diamonds [AUDIO] {Germany 2010}  Music

Posted by luckburz at Jan. 19, 2012
VA - Digital Masters II - Diamonds [AUDIO] {Germany 2010}

VA - Digital Masters II - "Diamonds"
FLAC, EAC, LOG & CUE | Lossless Artwork | Size: 313 MB
Label/Cat#: AUDIO Magazine | Country/Year: Germany 2010
Genre: Rock, Acoustic, Classical | Hoster: Filesonic/Uploaded/Filepost

CD is part of german audiophile magazine AUDIO and features some great artists and recordings to test your equipment. Presented by B&W and mastered/compiled by Günter Pauler of Stockfisch Records. More of these to come.

VA - Digital Masters I [AUDIO Magazine] {Germany 2010}  Music

Posted by luckburz at Jan. 18, 2012
VA - Digital Masters I [AUDIO Magazine] {Germany 2010}

VA - Digital Masters I
FLAC, EAC, LOG & CUE | Lossless Artwork | Size: 288 MB
Label/Cat#: AUDIO Magazine | Country/Year: Germany 2010
Genre: Rock, Acoustic, Classical | Hoster: Uploaded/Filepost

CD is part of german audiophile magazine AUDIO and features some great artists and recordings to test your equipment. Presented by Bose, Telarc, Chesky Records and Inakustik. More of these to come.
Boogaloo Joe Jones - Right On Brother (1970/2008/2014) [Official Digital Download]

Boogaloo Joe Jones - Right On Brother (1970/2008/2014)
FLAC (tracks) 24 bit/44,1 kHz | Time - 41:44 minutes | 522 MB
Studio Master, Official Digital Download | Artwork: Digital booklet
Rudy Van Gelder Remaster - 2008

Guitarist Boogaloo Joe Jones embraced the sound of soul-jazz in the late 1960s, with this session of mostly original songs typical of the genre. Featuring Rusty Bryant on sax, Charles Earland on organ and Bernard Purdie behind the drums, this release includes two bonus tracks, the single versions of Right On and Someday We’ll Be Together.
The Modern Jazz Quartet - Django (1956/2006/2014) [Official Digital Download]

The Modern Jazz Quartet - Django (1956/2006/2014)
FLAC (tracks) 24 bit/44,1 kHz | Time - 38:44 minutes | 256 MB
Studio Master, Official Digital Download | Artwork: Digital booklet
Mono - Rudy Van Gelder Remaster - 2005

Django, originally released in 1956 and features some of the best playing by The Modern Jazz Quintet in their discography. The album's sessions took place between 1953 and 1955, mostly recorded at Rudy Van Gelder's studio in Hackensack, New Jersey. All original tunes are by John Lewis, and the album also includes a few songs by Dizzy Gillespie and George & Ira Gershwin.
Ray Charles - Rare Genius: The Undiscovered Masters (2010) [Official Digital Download 24bit/96kHz]

Ray Charles - Rare Genius: The Undiscovered Masters (2010)
R&B, Jazz, Blues, Country | FLAC (tracks), 24bit/96kHz | 41:44 Min | 843,76 Mb (incl 3%) | Digital Booklet
Label: Concord Records | Tracks: 10 | Released: 2010-10-25

Concord Records is celebrating the 80th birthday of the legendary Ray Charles with a special gift for his legions of fans: Rare Genius: The Undiscovered Masters. This treasure trove of newly discovered recordings, highlighted by a duet with fellow icon Johnny Cash, become available on October 25th, 2010.
Richard 'Groove' Holmes - Soul Message (1965/2007/2014) [Official Digital Download]

Richard 'Groove' Holmes - Soul Message (1965/2007/2014)
FLAC (tracks) 24 bit/44,1 kHz | Time - 34:36 minutes | 390 MB
Studio Master, Official Digital Download | Artwork: Digital booklet
Rudy Van Gelder Remaster - 2006

Many Eastern and Midwestern musicians helped sustain the West Coast jazz scene in the ’50s and ’60s, but the only one among them who made an impact in Southern California on Hammond organ was New Jersey native Richard “Groove” Holmes. This was Holmes’s first recording for Prestige, and it both confirmed his status as one of the B-3’s leading practitioners and elevated his profile with the crossover success of "Misty".

True Samples Tech House Masters WAV MiDi SYLENTH1 SPiRE  Software

Posted by orientazure at Feb. 24, 2017
True Samples Tech House Masters WAV MiDi SYLENTH1 SPiRE

True Samples Tech House Masters WAV MiDi SYLENTH1 SPiRE | 354 Mb

True Samples is back with this Tech House Masters sample pack! In this pack you will find an unusual mix of different genres of electronic music like Tech House, Minimal, Techno and Progressive House.
Pat Martino - El Hombre (1967/2007/2014) [Official Digital Download]

Pat Martino - El Hombre (1967/2007/2014)
FLAC (tracks) 24 bit/44,1 kHz | Time - 47:47 minutes | 543 MB
Studio Master, Official Digital Download | Artwork: Digital booklet
Rudy Van Gelder Remaster - 2006

Legendary six-string master Pat Martino's debut album, El Hombre, finds the then-22-year-old flashing his distinctive soul-jazz chops in first date as a leader. Accompanied by organist Trudy Pitts, flutist Danny Turner, drummer Mitch Fine, and both Abdu Johnson and Vance Anderson on percussion, Martino's runs alternatingly dance over Latin-tinged rhythms and groove in the pocket with classic, soulful flavor. Recorded May 1, 1967 by Rudy Van Gelder at the Van Gelder Studio, Englewood Cliffs, NJ, El Hombre stands the test of time as an absolute best-of-genre, guitar soul-jazz workout.
Oliver Nelson Sextet - Screamin' The Blues (1960/2006/2014) [Official Digital Download]

Oliver Nelson Sextet - Screamin' The Blues (1960/2006/2014)
FLAC (tracks) 24 bit/44,1 kHz | Time - 39:54 minutes | 504 MB
Studio Master, Official Digital Download | Artwork: Digital booklet
Rudy Van Gelder Remaster - 2006

Posterity remembers Oliver Nelson primarily as an arranger/conductor. When he first began to attract attention with a series of albums for Prestige and its subsidiaries, however, Nelson was hailed as a versatile leader of small groups and a composer/instrumentalist who could refresh the music’s traditional verities while also looking ahead. There is no better showcase for these skills among his initial sessions than Screamin’ the Blues, a rousing set of funky modernism interpreted by a sextet of players who shared Nelson’s allegiance to both virtuosity and vision.