Diana Cooper Discover Atlantis

Diana Cooper-Richet - La France anglaise, de la Révolution à nos jours  eBooks & eLearning

Posted by SSCN1926 at Feb. 27, 2018
Diana Cooper-Richet - La France anglaise, de la Révolution à nos jours

Diana Cooper-Richet - La France anglaise, de la Révolution à nos jours
French | Fayard | 2018 | EPUB | Pages 345 | ASIN: B0798P57NG | 2,38 Mb
Entdecke Atlantis. Das Urwissen der Menschheit verstehen und heute nutzen, 2 Auflage

Diana Cooper, Shaaron Hutton, "Entdecke Atlantis. Das Urwissen der Menschheit verstehen und heute nutzen, 2 Auflage"
Ans.ta | 2007 | ISBN: 3778773062 | 304 pages | PDF | 3,2 MB

The Atlantis Story: A Short History of Plato's Myth  eBooks & eLearning

Posted by Jeembo at April 19, 2018
The Atlantis Story: A Short History of Plato's Myth

The Atlantis Story: A Short History of Plato's Myth by Pierre Vidal-Naquet, Janet Lloyd, Geoffrey Lloyd
English | 2007 | ISBN: 0859898059 | 216 Pages | PDF | 8.0 MB

This is the history of the development through the ages of Plato's "Atlantis" story - the imperialist island state that disappeared in a cataclysm, leaving Athens to survive it.

Diana Drew - Diana Who? (2006)  Music

Posted by Domestos at April 16, 2018
Diana Drew - Diana Who? (2006)

Diana Drew - Diana Who? (2006)
MP3 CBR 320kbps | 00:50:53 | 117.79 Mb | Cover
Vocal Jazz | Country: Canada | Label: Jocosity Inc. (Don Drew)

If you LOVE Nat King Cole, Michael Buble or Diana Krall, you will love this CD, baby! Give your ears a soothing spa with the warm, soothing vocals of Canadian singer, Diana Drew, surrounded with some of the top musicians in Canada. Diana Drew (vocalist) is fortunate to share some tunes with the likes of legendary musicians such as Laurie Bower (trombone), the late Ian Bargh (piano), Duncan Hopkins (bass), Luis Mario Ochoa (guitar), and Don Vickery (Drums, percussion).

Visions Of Atlantis - The Deep & The Dark (2018) [Japanese Ed.]  Music

Posted by Andi_Deris at April 13, 2018
Visions Of Atlantis - The Deep & The Dark (2018) [Japanese Ed.]

Visions Of Atlantis - The Deep & The Dark (2018) [Japanese Ed.]
EAC Rip | FLAC: Image+Cue+Log | MP3 CBR 320 kbps | Scans
314 Mb | 105 Mb | 52 Mb | Time: 45:20
Rubicon Music | RBNCD-1250
Melodic/Symphonic Power Metal

With The Deep & The Dark, Visions of Atlantis once more set sail to oceanic myths and the eternal dream of the sunken continent. The varied and fascinating voice of Clémentine Delauney provides for hauntingly beautiful duets with Siegfried Samer's classic power metal infusions, embodying the symphonic metal cake: From the grandiose album title track ‘The Deep & The Dark‘, folklore elements in ‘Ritual Night‘ to the up-tempo juggernaut ‘Return To Lemuria‘, Visions of Atlantis round off all their facettes in this mystical adventure. But this album wouldn`t be complete without a bewitching ballad! ‘The Last Home' belongs to one of the memorable songs these Austrians have ever composed.
Diana Krall - All For You (A Dedication To The Nat King Cole Trio) (1996) {2005, Reissue}

Diana Krall - All For You (A Dedication To The Nat King Cole Trio) (1996) {2005, Reissue}
EAC Rip | FLAC (Img) + Cue + Log ~ 273 Mb | MP3 CBR320 ~ 143 Mb
Full Scans (JPG, 600 dpi) ~ 27 Mb | RAR 5% Recovery
Vocal Jazz, Standards, Contemporary Jazz | Impulse! #0602498840160

Pianist/vocalist Diana Krall pays tribute to the Nat King Cole Trio on her Impulse! set. In general, the medium and up-tempo tunes work best, particularly such hot ditties as "I'm an Errand Girl for Rhythm," "Frim Fram Sauce," and "Hit That Jive Jack." Krall does not attempt to directly copy Cole much (either pianistically or vocally), although his influence is obviously felt on some of the songs. The slow ballads are actually as reminiscent of Shirley Horn as Cole, particularly the somber "I'm Through With Love" and "If I Had You." Guitarist Russell Malone gets some solo space on many of the songs and joins in on the group vocal of "Hit That Jive Jack," although it is surprising that he had no other opportunities to interact vocally with Krall; a duet could have been delightful. Bassist Paul Keller is fine in support, pianist Benny Green backs Krall's vocal on "If I Had You," and percussionist Steve Kroon is added on one song. Overall, this is a tasteful effort that succeeds.
Alice Cooper - The Alice Cooper Show (1977) {1990, Japan 1st Press}

Alice Cooper - The Alice Cooper Show (1977) {1990, Japan 1st Press}
EAC Rip | WavPack (Img) + Cue + Log ~ 260 Mb | MP3 CBR320 ~ 103 Mb
Covers Included (JPG, 300 dpi) | RAR 5% Recovery
Glam Rock, Hard Rock, Classic Rock | Warner-Pioneer Corporation #WPCP-3495

The Alice Cooper Show is a live album by Alice Cooper, released by Warner Bros. in December 1977. It was recorded live in Las Vegas at the Aladdin Hotel on August 19 and 20, 1977, during Cooper's "King of the Silver Screen" United States tour. The TV special Alice Cooper and Friends featured live footage from that tour.

Alice Cooper - Dragontown (2001) {Japan 1st Press}  Music

Posted by popsakov at April 10, 2018
Alice Cooper - Dragontown (2001) {Japan 1st Press}

Alice Cooper - Dragontown (2001) {Japan 1st Press}
EAC Rip | WavPack (Img) + Cue + Log ~ 383 Mb | MP3 CBR320 ~ 128 Mb
Covers Included (JPG, 300 dpi) | RAR 5% Recovery
Alternative Rock, Hard Rock, Heavy Metal | Victor Entertainment, Inc. #VICP-61606

Dragontown continues the assault of Alice Cooper's gift to the new millennium that was Brutal Planet. Considered a third chapter of a trilogy initiated by 1994's The Last Temptation, this shadowy production plays like hardcore in slow motion. There is no one identifiable song like "Gimme" or "Brutal Planet" from the last episode, but the production values are high and the innovative riffs consistent. This work stands on its own, chock-full of the dark prince of pop's nasty humor. "It's Much Too Late" is supposed to be for John Lennon, but the Beatlesque backing vocals sound like Carole King's hit from Tapestry on hard drugs. There are references to the sacrilege spread out over Lennon's work from Plastic Ono Band to Imagine, but here Alice takes off the gloves and gives the church the finger: "I'm sending you all to hell/I'm tired and I'm wired here…."
Alice Cooper - Alice Cooper's Greatest Hits (1974) {1991, Japan 1st Press}

Alice Cooper - Alice Cooper's Greatest Hits (1974) {1991, Japan 1st Press}
EAC Rip | WavPack (Img) + Cue + Log ~ 253 Mb | MP3 CBR320 ~ 105 Mb
Covers Included (JPG, 300 dpi) | RAR 5% Recovery
Hard Rock, Glam Rock | Warner-Pioneer Corporation #WPCP-4546

With the future of the original Alice Cooper band in doubt by mid-1974 (they would soon break up for good with Alice going solo), Warner Bros. decided to issue a best-of compilation entitled Greatest Hits. If you're a newcomer to Alice, this 12-track compilation is a must-hear – all the selections are exceptional. While many have chosen to focus primarily on Cooper's theatrics over the years, the original bandmembers were indeed supreme rock songwriters; such anthems as "I'm Eighteen," "Under My Wheels," "School's Out," and "No More Mr. Nice Guy" are unquestionably among the finest hard rock tracks of all time. And the other selections prove to be just as strong – "Is It My Body," "Desperado," "Be My Lover," "Elected," "Billion Dollar Babies," and "Muscle of Love" are all outstanding as well. The only criticism of the original release is that the collection overlooked the band's key album tracks never issued as singles.

Alice Cooper - Brutal Planet (2000) {Japan 1st Press}  Music

Posted by popsakov at April 7, 2018
Alice Cooper - Brutal Planet (2000) {Japan 1st Press}

Alice Cooper - Brutal Planet (2000) {Japan 1st Press}
EAC Rip | WavPack (Img) + Cue + Log ~ 404 Mb | MP3 CBR320 ~ 131 Mb
Covers Included (JPG, 300 dpi) | RAR 5% Recovery
Hard Rock / Alternative Rock / Industrial Metal / Heavy Metal / Glam
Eagle Records / Polydor K.K. #POCP-7492

For the Alice Cooper fans who feel his output was spotty before and after the 1989 classic Trash on Epic, Brutal Planet is a cause to rejoice. It is a solid hard rock offering. Cooper is in great voice, and he sounds mean and spirited. The title track would be a blessing on radio today. It has great bottom, sizzling guitars, and wonderful backing vocalists. The most impressive thing about this album is Cooper's lyrics. "Sanctuary" could be Lou Reed meets Deep Purple in their heyday. Back in 1987 Cooper performed with an unruly band all over the map. It was very uncomfortable and a far cry from his heyday of "I'm 18" and "Under My Wheels": guitars too loud, and an artist obviously struggling with his personal demons.