Mosaic Select is a jazz reissue series of numbered limited-edition releases that focus on an artist's important but neglected work in a 3 CD set.
The music on Mosaic Select 14 was recorded live at the Keystone Korner, San Francisco, between May 13, 1978, and March 27, 1979
Veteran tenor-saxophonist Dexter Gordon welcomed trumpeter Freddie Hubbard to his recording group several times during his career and each collaboration was quite rewarding. For this Prestige studio set the two horns (who are joined by pianist Cedar Walton, bassist Buster Williams and drummer Billy Higgins) work together quite well on "Milestones" (a second version is included as a bonus track), "Scared to Be Alone," Thelonious Monk's "We See" and Gordon's "The Group." This CD should please collectors.
This excellent Columbia album was recorded less than a year after Dexter Gordon's well-publicized tour of the United States following a dozen years spent living in Europe. With assistance from such other major players as trumpeters Woody Shaw and Benny Bailey, vibraphonist Bobby Hutcherson sounds in superlative form on Woody Shaw's "The Moontrane," four standards, and his own "Fried Bananas." In addition to the original program (which features Dexter with an all-star tentet), the 1997 CD reissue adds two 1979 features for vocalese singer Eddie Jefferson ("Diggin' It" and "It's Only a Paper Moon") that were originally released on Gordon's Great Encounters; trumpeter Shaw and trombonist Curtis Fuller co-star with Gordon. An excellent acquisition.
A Classics collection of tenor saxophonist Dexter Gordon, 1947-1952 features some of the mellow jazzman's most identifiable recordings from that period. Beginning with an extended version of "The Duel," the disc also includes Gordon's epic tenor battle with Wardell Gray on "The Chase."
Although tenor saxophonist Dexter Gordon seemed to have been largely forgotten in the U.S. during his long residence in Europe, he was playing in prime form during the period and made occasional trips back to America. On this CD reissue, Gordon teams up with pianist Wynton Kelly (one of his last recordings), bassist Sam Jones and drummer Roy Brooks for an obscure original ("Evergreenish"), "The Jumpin' Blues," the veteran ballad "For Sentimental Reasons" and three songs that were long a part of Gordon's repertoire: "Star Eyes," "Rhythm-A-Ning" and "If You Could See Me Now." Dexter Gordon is in fine form on the excellent straightahead bop set.
A play and an alto saxophonist pulled Dexter Gordon out of West Coast obscurity in 1960 and helped revive the bebop pioneer's career. The play was The Connection, which included a performing jazz band in its cast and inspired a classic original score from Freddie Redd as well as subsequent compositions by Kenny Drew, Cecil Payne, and Cecil Taylor. Gordon was the play's musical director in his hometown of Los Angeles, and some of Gordon's score is documented here. Cannonball Adderley produced the session (and many others for Riverside/Jazzland at the time).