Three Dexter Gordon CD's (which are also available separately) are housed in this particular Black Lion box. The music included on Both Sides Of Midnight, Body And Soul and Take The 'A' Train were performed live during a two-day period at the legendary Copenhagen club Montmartre by the veteran tenor with pianist Kenny Drew, bassist Niels Pederson and drummer Albert "Tootie" Heath. The 15 standards (including two versions of "Blues Walk") find Dexter in typically exuberant form, stretching out (only two numbers are under 8 1/2 minutes) and sounding quite relaxed even at the more rapid tempoes. Gordon's many fans will want this music in one form or another.
Dexter Gordon features three concerts filmed in 1963 and 1964 in Holland, Switzerland and Belgium that highlight the bebop legend's classic style and silky tone. Filmed while Dexter was living in Europe, these shows feature legendary side musicians such as Art Taylor (drums) and Kenny Drew (piano) and jazz classics "Blues Walk", "A Night In Tunisia", "Body And Soul" and others. One of the most influential saxophonists in jazz history (both John Coltrane and Sonny Rollins claim him as an influence), Dexter Gordon is captured in sharp form and style on this 70-minute tour de force.
Tenor saxophonist Dexter Gordon had been an expatriate since 1963 when he discovered Europe was where the consistently paying jazz gigs were to be found. In 1976 he returned to the States and began recording for Columbia Records and also embarked on an acting career. Sony Legacy repackaged and re-released six Dexter Gordon albums of that era in their entirety with mini-LP sleeves and original cover art: Homecoming: Live at the Village Vanguard (1976), Sophisticated Giant (1977), Manhattan Symphonie (1978), Live at Carnegie Hall (1978), and Gotham City (1980).
Two exceptional live concerts from the 1960’s : Dexter Gordon in Copenhagen 1969 and Ben Webster in London 1964. Dexter is featured in a quartet format backed by the great Kenny Drew on piano, the late Danish bassist NHOP and the relatively obscure South African drummer Makaya Ntshoko (Ben Webster is present and can be seen among the audience, in the Cafe Montmatre!). Webster’s performance is also with a quartet - featuring the immaculate Stan Tracey on piano, bassist Rick Laird (who 7 years later was a founder member of The Mahavishnu Orchestra), and Jackie Dougan on drums. On “A Night in Tunisia”, Ronnie Scott joins the group - after all, Tracey, Laird & Dougan were his then current quartet and the house trio at his club, although this date was at The Marquee.
The harmonically advanced trumpeter Thad Jones is a perfect contrast to the tenor of Dexter Gordon on this enjoyable Prestige LP. Gordon was somewhat forgotten in the United States at the time (his "comeback" was still four years away), but is in excellent form on the four numbers, particularly during a passionate version of "The First Time Ever I Saw Your Face."
Go is the tenth studio album by jazz musician Dexter Gordon, recorded on August 27, 1962 and released in the same year on Blue Note. According to the liner notes by Ira Gitler, this session was "not recorded in a nightclub performance but, in its informal symmetry, it matches the relaxed atmosphere that the best of those made in that manner engender. Everyone was really together, in all the most positive meanings of that word." It was recorded by Rudy Van Gelder at the Van Gelder Studio in Englewood Cliffs. Since its release, Go has received very positive reviews from critics, with Allmusic giving it a five star rating. The album was re-released in March 1999 as part of Blue Note's RVG Series, produced by Michael Cuscuna.
Jazz Undulation is an exciting live album that captured tenor saxophonist Johnny Griffin in an interesting and unusual setting. Bassist Jimmy Woode and drummer Kenny Clarke were frequent collaborators of Griffin's at the time, all three living in Europe and being members of the Clarke-Boland Big Band. Pianist Hampton Hawes was visiting Europe at the time, and probably just happened to meet them in Rome.