This tale of love, disguised nobility, murder, and love lost may sound like any other opera to some. But Verdi's Luisa Miller is a gem of the verismo genre. The gorgeous staging is surmounted only by a cast which includes Marcelo Alavarez, Leo Nucci, Fiorenca Cedolins, and Giorgio Surian.
For "La forza del destino", Verdi created one of his most famous melodies, the "fate" motif that permeates the whole of the score. Music and action alternate in masterly fashion between large-scale crowd scenes and intimate interiority, in that way illustrating Verdi's real theme: the manner in which fallible human beings are destroyed by a cruel fate.
The great Renée Fleming stars as the beguiling femme fatale who captivates all Paris in Lehár’s enchanting operetta, seen in a new staging by Broadway virtuoso director and choreographer Susan Stroman (The Producers, Oklahoma!, Contact). Stroman and her design team of Julian Crouch (Satyagraha, The Enchanted Island) and costume designer William Ivey Long (Cinderella, Grey Gardens, Hairspray) have created an art-nouveau setting that climaxes with singing and dancing grisettes at the legendary Maxim’s. Nathan Gunn co-stars as Danilo and Kelli O’Hara is Valencienne. Sir Andrew Davis conducts.
Dvorak’s enchanting fairytale of the water-nymph Rusalka has been a signature role for Renée Fleming for the past 25 years. The Gramophone Classical Music Guide writes: “Renée Fleming's tender and heartwarming account of Rusalka's Song to the Moon reflects the fact that the role of the lovelorn water nymph, taken by her in a highly successful production at the MET in New York, has become one of her favourites”.
Christian Thielemann, “by common consent the leading Wagner conductor of our time” (Die Presse), returns to Bayreuth for this radiant account of Die Walküre filmed at the 2010 Festival. Appearing on DVD and Blu-ray for the first time, it provides the only audio-visual document of Tankred Dorst’s Ring production, and follows the hugely successful release of the whole cycle on CD. Two new singers join the cast: Johan Botha as Siegmund, who was showered with praise by the press (“ideal vocal casting” in the words of the critic on the Frankfurter Allgemeine Zeitung) and Edith Haller, with her “beautiful, strong soprano voice” (Süddeutsche Zeitung) as his sister and lover Sieglinde.
François Girard‘s stunning post-apocalyptic production of Parsifal at The Metropolitan Opera trail-blazed the way for Wagner’s centennial year celebrations last year. Wagner's last and most intriguing opera, Parsifal centers on a young hero’s search for compassion, redemption, and acceptance in a world dominated by rules and fanaticism.
The most famous, the most performed, the most thrilling, and the most recorded opera cycle in music history. Filmed at the world-famous Metropolitan Opera House in New York, in high definition – the award winning Robert Lepage production. Featuring Bryn Terfel as Wotan – universally recognized as the finest bass-baritone – and Wotan – of his generation. Also starring Deborah Voigt as Brunnhilde, and star tenor Jonas Kaufmann as Siegmund.
Opera superstars Renée Fleming and Rolando Villazón star in the sumptuous 2006 Los Angeles production of Verdi's tragic masterpiece.
"Violetta has lately become one of Fleming's signature roles, and she acted the part as compellingly as she sang it, which was warmly, with sparkling top notes and an ease with the vocal line that any singer would envy." (Los Angeles Times)
This very traditional production by Pier'Alli boasts an enchanting Elvira in the young Georgian soprano Nino Machaidze, with Juan Diego Flórez as a peerless Arturo and Ildebrando d'Arcangelo a strong presence as Giorgio Valton.
Double Tony Award winning stage director Desmond McAnuff’s production, hailed by the New York Times as “rich with ideas and theatrically daring”, presents Faust as an atomic scientist inhabiting a dark world shot through with Cold War resonances. Alongside Kaufmann, a typically gold-standard Met cast includes the “phenomenal” Rene Pape as Mephistopheles and the “ideally-suited” Marina Poplavskaya as Marguerite. Star conductor Yannick Nezet-Seguin draws an “elegant, darkly textured performance” from the Metropolitan Opera orchestra.