Features SHM-CD format and the latest 24bit 192kHz remastering. As Lee Morgan's career moved from hard and post-bop to soul-jazz, Delightfulee serves as a further bridge in a half-and-half fashion. Four of the seven cuts feature his potent quintet with a young and emerging tenor saxophonist, Joe Henderson, as his front line mate, McCoy Tyner ever brilliant on piano, and Billy Higgins firing up the rhythm as only the drummer could. The remainder of the date consists of tracks orchestrated by Oliver Nelson featuring an 11-piece ensemble. There are two selections that feature versions of compositions with both configurations.
Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Includes an alternate take of "Witch Hunt" and a track for the first time in the world. On his third date for Blue Note within a year, Wayne Shorter changed the bands that played on both Night Dreamer and Juju and came up with not only another winner, but also managed to give critics and jazz fans a different look at him as a saxophonist. Because of his previous associations with McCoy Tyner, Elvin Jones, and Reggie Workman on those recordings, Shorter had been unfairly branded with the "just-another-Coltrane-disciple" tag, despite his highly original and unusual compositions.
Part of Blue Note's quality series of artist samplers, The Best of Hank Mobley surveys the great tenor saxophonist's prime stretch from 1955-1965. Originally overshadowed by the likes of Joe Henderson, Wayne Shorter, and, of course, Coltrane, Mobley nevertheless gained the respect of his peers, thanks to his richly fluid phrasing and smooth, caramel tone – in lieu of trying to impress you, he seduced you slowly from afar. And while one is advised to dive in directly with any one of his Blue Note discs – especially Soul Station, No Room for Squares, and A Slice of the Top – this ten-track overview still works well as a launching pad. Backed by a stellar array of "Blue Note" regulars like Lee Morgan, Curtis Fuller, Billy Higgins, Freddie Hubbard, and Horace Silver, Mobley ranges effortlessly from early hard bop favorites ("Funk in a Deep Freeze") to mature, solo-rich material from the mid-'60s ("The Turnaround"). In between, there are two stunning originals from his banner year of 1960 ("This I Dig of You," "Take Your Pick") and one of the best of his several bossa nova numbers ("Recado Bossa Nova"). For listeners who just want a taste, this best-of collection will do the trick just fine.
Snarky Puppy Duo Releases Thrilling Debut Album As Ghost-Note. If someone asked another to identify Ghost-Note within a genre, one would have trouble coming up with a good answer. The brainchild of Robert “Sput” Searight and Nate Werth has been capturing the attention of Snarky Puppy fanatics for a while now, but their debut album, Fortified, is a game changer that deserves recognition from all types of music-lovers. Immediately blasting to the #1 spot on the iTunes jazz chart upon release, Fortified is more than just a percussionist’s wildest dream, it’s a collaboration of world-class players featuring 18 of today’s rising musicians in Shaun Martin, N’Dambi, Mark Lettieri, Caleb McCampbell, Jason “JT” Thomas, RSVP, Nick Werth, Cleon Edwards, Taron Lockett, Marcelo Woloski, Wes Stephenson, Bob Lanzetti, A.J. Brown, Frank Moka, Ben Bohorquez, and Sylvester Onyejiaka.
THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE is a monographic box-set collection aimed at recounting the most beautiful chapters that revolutionised the history of jazz. A deep philological work, beginning with the original recordings on original master tapes, patiently integrally remastered paying strict attention to sound quality.
Hittin' the Note is the twelfth and final studio album by the American Southern rock group the Allman Brothers Band. Released through Sanctuary Records, it was their first studio album to include lead slide guitar player Derek Trucks and bass player Oteil Burbridge and marked the full-time return of guitar player Warren Haynes to the band. It was also their first (and only) studio album not to include original guitarist Dickey Betts. The CD was recorded live in the studio in New Jersey in December 2001 with lead vocal and minor overdubs recorded in early 2002. It was the first Allman recording co-produced by bandmember Haynes and Michael Barbiero.