The Avant Garde was a coffeehouse in Milwaukee, Wisconsin that played host to a variety of rock, blues, and folk performers in the '60s, and Windy City guitar wizard Magic Sam (aka Sam Maghett) rolled in to play a few sets in June 1968. A local kid with an interest in recording named Jim Charne showed up with a reel-to-reel machine and a couple of microphones, and he captured Magic Sam's show on tape; 45 years later, those tapes have finally been made public on the album Live at the Avant Garde, and given the relatively small amount of material that's surfaced on the late blues legend (who succumbed to a heart attack when he was just 32), this set is a very welcome find. Live at the Avant Garde has a decidedly different feel than Magic Sam Live, which preserved radio broadcasts from 1963 and 1964 and a 1969 appearance at the Ann Arbor Blues Festival; while those recordings blazed with intensity, this captures Magic Sam and his band in more laid-back form, playing a small, booze-free venue rather than a rowdy bar or a festival audience in the thousands.
Just as the title says, the 2001 Deep Purple DVD, New, Live & Rare: The Video Collection 1984-2000, collects all of the legendary British metal band's promo videos as well as scattered live clips from their 1984 reunion up to the time of this DVD's release. As longtime fans know, Deep Purple's true glory days lay in the early '70s, when they dropped such classic molten metal releases as In Rock, Fireball, and Machine Head on an unsuspecting world. And while its bandmembers have kept Purple alive well into the new millennium (despite line-up juggling), most of the newer material on New, Live & Rare doesn't hold a candle to the band's earlier classics.
There are both good and bad points to this CD. Of the latter, the Phillip Morris "Super Band" is confined to background work with - other than a few spots for Plas Johnson's tenor - no soloists being heard from. As an ensemble, the all-star orchestra performs well, but is essentially anonymous. Also, despite the backing, B.B. King does not attempt to play jazz, a wasted opportunity. But, switching to the good points, Live at the Apollo is an excellent example of a strong B.B. King live performance. Somehow he always makes his combination of blues and familiar hits sound fresh. With a liberal amount of space set aside for his guitar solos, B.B. is in top form throughout the well-paced set, which is far superior to most of his overproduced studio sessions for MCA…
Released for the first time on this 1999 Challenge CD, this live set features the unusual duo of guitarist Jim Hall and valve trombonist Bob Brookmeyer, two-thirds of the 1957 Jimmy Giuffre Three. Although there are occasions when one of the musicians accompanies the other one, much of the time Hall and Brookmeyer function as equals, improvising together on a set of standards plus an ad-lib blues called "Sweet Basil." Their ability to improvise while thinking of the whole picture and their knack for spontaneously harmonizing really come in handy during this intriguing and frequently exciting outing. Among the selections reborn in the playing of Hall and Brookmeyer are John Lewis' "Skating in Central Park," "Body and Soul," "Darn That Dream," and "St. Thomas." A successful effort that should not have taken 20 years to release.