The Brodsky Quartet celebrates its fortieth anniversary this year. Formed in 1972, the Quartet quickly emerged at the forefront of the international chamber music scene. It has performed more than 2000 concerts and made more than fifty highly acclaimed recordings. Now exclusive Chandos artists, the Brodsky players are releasing their second disc on Chandos with guest soloists Jean-Efflam Bavouzet and the harpist Sioned Williams.
Franck’s Piano Quintet and Debussy’s String Quartet make an apt and unusual coupling, each work its composer’s only, unsurpassable, contribution to the genre. Both receive authoritative performances from Marc-André Hamelin and the Takács Quartet.
The peerless Takacs Quartet recently nominated for a Gramophone award for their second disc of Brahms's string quartets, continue their exploration of the Romantic chamber music tradition with this disc of Schumann. The Piano Quintet is by far Schumann's most popular chamber work and one of the most beloved works in the genre. Schumann was the first romantic composer to pair the piano with the string quartet. Schumann studied the string quartets of Beethoven, Mozart and Haydn and his quartet Op. 41 No. 3 demonstrates these influences. However, it contains many highly original strokes, particularly the casting of the scherzo as a set of variations. The Takacs Quartet are joined by Marc-Andre Hamelin in an invigorating partnership that has already been widely acclaimed on the concert platform.
The works on this CD stem from the early and from the late period of Debussys creative life, and are for these reasons not typical Debussy, in the sense that they eschew the impressionistic features so often associated with the composer. The piano trio is a sumptuously romantic work, with echoes of Schumann and Franck, whereas the cello sonata and violin sonata are part of the 6 sonata project which Debussy started in 1915, but didnt complete because of his untimely death in 1918 (only 3 sonatas were composed). The music is transparent, with neoclassical hints, and sometimes with Stravinskian bite and humour. The musicians on this CD, Federico Guglielmo, Luigi Puxeddu and Jolanda Violante have won their spurs mainly in Early Music; therefore their view on these works is fresh and open, with infectious esprit and zest. As bonus a series of short and much loved pieces in arrangements: Reverie, Arabesque, Minstrels, La fille aux cheveux de lin, and two early original miniatures for cello and piano.
During the last few years of his life, John Cage wrote many pieces in the same general vein as Five3. They are often referred to as "the number pieces." This references the titles of the pieces, which are all simply the number of the performers. Superscripts are added as necessary to distinguish the individual pieces (this is the third quintet, for example).
These works are also called "the time-bracket pieces," a reference to the notation of the pieces.