The Brodsky Quartet celebrates its fortieth anniversary this year. Formed in 1972, the Quartet quickly emerged at the forefront of the international chamber music scene. It has performed more than 2000 concerts and made more than fifty highly acclaimed recordings. Now exclusive Chandos artists, the Brodsky players are releasing their second disc on Chandos with guest soloists Jean-Efflam Bavouzet and the harpist Sioned Williams.
Franck’s Piano Quintet and Debussy’s String Quartet make an apt and unusual coupling, each work its composer’s only, unsurpassable, contribution to the genre. Both receive authoritative performances from Marc-André Hamelin and the Takács Quartet.
The peerless Takacs Quartet recently nominated for a Gramophone award for their second disc of Brahms's string quartets, continue their exploration of the Romantic chamber music tradition with this disc of Schumann. The Piano Quintet is by far Schumann's most popular chamber work and one of the most beloved works in the genre. Schumann was the first romantic composer to pair the piano with the string quartet. Schumann studied the string quartets of Beethoven, Mozart and Haydn and his quartet Op. 41 No. 3 demonstrates these influences. However, it contains many highly original strokes, particularly the casting of the scherzo as a set of variations. The Takacs Quartet are joined by Marc-Andre Hamelin in an invigorating partnership that has already been widely acclaimed on the concert platform.
The works on this CD stem from the early and from the late period of Debussys creative life, and are for these reasons not typical Debussy, in the sense that they eschew the impressionistic features so often associated with the composer. The piano trio is a sumptuously romantic work, with echoes of Schumann and Franck, whereas the cello sonata and violin sonata are part of the 6 sonata project which Debussy started in 1915, but didnt complete because of his untimely death in 1918 (only 3 sonatas were composed). The music is transparent, with neoclassical hints, and sometimes with Stravinskian bite and humour. The musicians on this CD, Federico Guglielmo, Luigi Puxeddu and Jolanda Violante have won their spurs mainly in Early Music; therefore their view on these works is fresh and open, with infectious esprit and zest. As bonus a series of short and much loved pieces in arrangements: Reverie, Arabesque, Minstrels, La fille aux cheveux de lin, and two early original miniatures for cello and piano.
Charles Edward Ives (October 20, 1874 – May 19, 1954) was an American modernist composer. He is one of the first American composers of international renown, though his music was largely ignored during his life, and many of his works went unperformed for many years. Over time, he came to be regarded as an "American original". Ives combined the American popular and church-music traditions of his youth with European art music, and was among the first composers to engage in a systematic program of experimental music, with musical techniques including polytonality, polyrhythm, tone clusters, aleatoric elements, and quarter tones, foreshadowing many musical innovations of the 20th century…
Russia in the nineteenth century had little need for chamber music - no Parisian-style competitive quartetting here. But out of this very isolation came a small, but nonetheless mighty, handful of works: those by Borodin are among the finest. Piers Lane and the Goldner String Quartet revel in what they find.