Christophe Rousset is one of the finest and most exciting harpsichordists, and as a conductor is a leader in the late 20th century revival of French Baroque music. After studying piano as a boy, he became deeply interested in the harpsichord at the age of 13. He studied with Huguette Dreyfus at the Schola Cantorum in Paris and, from 1980 to 1983, with Bob van Asperen at the Royal Conservatory of the Hague. He won a special certificate of distinction at the Schola Cantorum and, in 1983, the first prize at the International Harpsichord Competition in Bruges.
While Ebo Taylor's name is not familiar to most as one of the pioneers of Afro-beat, it should be. Taylor, the Ghanian composer, arranger, guitarist, and vocalist has been making music since the 1950s, and studied with Fela Kuti at the Eric Guilder School of Music in London from 1962 until 1965. Rather than go the solo path, he opted instead for Accra's studio scene, where he appeared on dozens of singles and albums . He cut a self-titled solo album in 1977 on the local label Essiebons. Tracks from it, another album entitled Conflict, and various singles have appeared in recent years on various European compilations. The Strut imprint, not content to let Taylor's name languish in obscurity, put its money where its mouth was, and paired him with the Afrobeat Academy of Berlin, which includes guitarist J. Whitefield of the Whitefield Brothers and various guests from Europe and Africa.
Led by Christopher Hogwood, the Academy of Ancient Music has made many renowned recordings of Handel's music-particularly the oratorios. The beloved Messiah heads up this 8-CD set, followed by Esther; La Resurezzione , and, making its return to the international catalog after an absence of several years, the 1985 recording of Athalia -with none other than Joan Sutherland in the title role! Recorded in London, 1979-85.