Rinaldo’s libretto, based on Torquato Tasso’s Gerusalemme liberata, relates the siege of Jerusalem, during the first Crusade, by the Christian army lead by Godefroy de Bouillon. In this production, Goffredo is a preacher – nice suit and white teeth – who seems to be in conflict with the vamp Armida and her night club called “Gerusalemme”. Argante is the Saracen bouncer of the night club and particularly resistant to Goffredo’s speech. Almirena, Goffredo’s daughter, is a good looking maid who appears looking like a sort of Jeanne d’Arc but rapidly changes into a pom-pom girl. She is lusted after by Armida for her night club and is used by her father to manipulate or at least to motivate Rinaldo – an Eliott Ness or Dick Tracy like hero. Note that Almirena’s capture, which precedes and triggers Rinaldo’s famous lament “Cara sposa”, looks like a tribute to Hitchcock’s Birds.
Clarinetist David Orlowsky is widely recognized as a musician of tremendous expressiveness and depth, and is acknowledged worldwide as one of today's leading interpreters of the clarinet repertoire ranging from Mozart to Golijov to klezmer. An exclusive Sony recording artist, David has recorded eight discs which have received three ECHO Klassik awards and won him a large and devoted following. An avid chamber musician, David collaborated with celebrated performers such as Vilde Frang, Igor Levit, the Danish String Quartet, the Calder Quartet and the vocal sextet Singur Pur, with whom he won the 2011 ECHO Klassik award "Classical Music without Boundaries" for their album JEREMIAH…
Beautifully played & produced with an excellent song selection, there is no reason for any R&B/jazz lover not to have this in their collection. Both Sample and David T. Walker are hot, and have a great rappore. The horn section absolutely kicks. The only bad thing about this album is it ends to soon and leaves you hungry for more.
According to the composer, the five works on David Lang's 2003 recording Child constitute an "attempt to examine certain experiences as I remember (and misremember) them from my childhood. Each individual movement is in some way a memory of how I learned to do something." For this recording, Lang gathered the separately commissioned but closely affined pieces into a suite for a varied ensemble of winds, strings, piano, and percussion, presented here by the Italian chamber ensemble Sentieri Selvaggi.
On this album by clarinetist Julian Bliss, the titular work refers to gumboot dancing, South African miners' dances that during the apartheid era conveyed coded meanings as well as joy in the face of enormous hardship. A look at YouTube will reveal plenty of examples of a form that has been little known outside South Africa. Composer David Bruce's clarinet quintet falls into two parts, an untitled slow "Part One" (track 1) that presumably sets the dark scene of the mine, followed by a second part consisting of five dances.
This Grammy-nominated disc heralds the origins of the highly acclaimed acoustic duo of Jerry Garcia (guitar/vocals) and David "Dawg" Grisman (mandolin). They had been chums for years by the time they began their direct partnership in earnest on December 7, 1990, with a nine-song set at the Sweetwater in Mill Valley, CA. Over half of that material would be reworked the following spring – for inclusion on this disc – at Grisman's newly appointed, plush, and well-lit Dawg Studios. Along with David Grisman Quintet members Jim Kerwin (bass) and Joe Craven (percussion/fiddle), Garcia and Grisman revive a few familiar tunes covering every dimension of popular music, ranging from the blues ("The Thrill Is Gone") to folk-rock ("Friend of the Devil"), as well as pop music standards such as Irving Berlin's "Russian Lullaby" – which Garcia had previously covered on his 1974 Garcia (Compliments) album – and Hoagy Carmichael's "Rockin' Chair." They also examined the origins of authentic traditional folk ("Walkin' Boss"/"Two Soldiers").