Rinaldo’s libretto, based on Torquato Tasso’s Gerusalemme liberata, relates the siege of Jerusalem, during the first Crusade, by the Christian army lead by Godefroy de Bouillon. In this production, Goffredo is a preacher – nice suit and white teeth – who seems to be in conflict with the vamp Armida and her night club called “Gerusalemme”. Argante is the Saracen bouncer of the night club and particularly resistant to Goffredo’s speech. Almirena, Goffredo’s daughter, is a good looking maid who appears looking like a sort of Jeanne d’Arc but rapidly changes into a pom-pom girl. She is lusted after by Armida for her night club and is used by her father to manipulate or at least to motivate Rinaldo – an Eliott Ness or Dick Tracy like hero. Note that Almirena’s capture, which precedes and triggers Rinaldo’s famous lament “Cara sposa”, looks like a tribute to Hitchcock’s Birds.
Pinchgut Opera, based in Sydney and founded in 2002, specializes in Baroque and Classical opera, featuring works such as Semele, The Fairy Queen, Idomeneo, and Orfeo. One of its more obscure repertoire choices is Marc-Antoine Charpentier's 1688 David & Jonathan. It's a work that's rarely performed or recorded, so this fine performance is revelatory.
This recording is the World Premiere of Charles Koechlin's Jungle Book and received the Orchestral Gramophone Award and was, memorably, accepted by the son of the composer. Charles Koechlin loved Rudyard Kipling's The Jungle Book and set different parts of the book to music at various points in his career. The first of these - The Three Poems - bear the titles: Seal Lullaby, Night Song in the Jungle and Song of Kala Nag, with texts from The Jungle Book. The music, scored during 1904 - 04, is exotic and evocative. The lullaby mimics the gently lapping of waves as the soprano and chorus spin a soothing tapestry of sound. The Night-Song in the Jungle had a cadence that suggests movement (sung by the soprano, tenor, baritone and chorus) and is a song of well-wishing to the animals of the night. The Song of Kala Nag is a lament of an elephant that has been tamed for his old life in the jungle, sung by the tenor. The poem describes a night in the year when all of the elephants gather to dance together and, rather than being somber, the music is triumphant as the elephant recounts his past freedom and vows to have it again.
Although it was Donizetti’s first theatrical success, the original 1822 version of this violent love story was never given a complete performance because the tenor cast in the role of the hero died shortly before the first night. Even so, Donizetti quickly adapted this role for a mezzo-soprano, achieving his first theatrical success. Opera Rara presents the world premiere of the original tenor version. In addition the recording includes six more pieces written for the 1824 revival.
A travers son ouvrage, le docteur N.W. Walker nous explique comment tirer profit des fruits et légumes, en les consommant sous forme de jus, des recettes très simples et toutes plus savoureuses les unes que les autres. …