Rui Massena conducts the Fundação Orquestra Estúdio’s recording of David Chesky’s fantasy for children The Zephyrtine ballet. The characters throughout the ballet are represented by specific instruments; the two main characters, Ben and the Zephyrtine, are voiced by the piccolo and the French horn. The Zephyrtine is a wonderful adventure that revolves around a little boy from Vermont, Ben, who meets a magical Zephyrtine and journeys to the enchanted land of Eudora. Eudora is a Utopian society where people are different colors, red, blue, green, and yellow! Vegetables are not grown instead built in factories, ice cream grows on trees, and fish fly. When the Blue Princess is captured by Ib the monster, it is up to Ben to rescue her and save the kingdom. Children are taken on a thrilling journey where they learn the importance of friendship and accepting cultural diversity.
Features 24 bit remastering and comes with a mini-description. The sessions that resulted in Bigger & Better feature Newman with a string section and studio musicians for forgettable versions of two Beatles songs, a pair of Sam Cooke R&B pieces and a couple of lesser items. David "Fathead" Newman probaly is not the best saxophone player you will ever listen to. But he is a lyrical player and he has such a signature sound that you just got to love him. Like Hank Mobley, David "Fat Head" Newman kinda gets lost in the shuffle when you compare him to Sonny, Trane, Dexter, or even Stanley Turrentine!
Director Frank Darabont, who made an acclaimed feature film debut with The Shawshank Redemption (1994), based on a Stephen King novel set in a prison, returns for a second feature, based on King's 1996 serialized novel set in a prison. In 1935, inmates at the Cold Mountain Correctional Facility call Death Row "The Green Mile" because of the dark green linoleum that tiles the floor. Paul Edgecomb (Tom Hanks) is the head guard on the Green Mile when a new inmate is brought into his custody: John Coffey (Michael Clarke Duncan), convicted of the sadistic murder of two young girls. Despite his size and the fearsome crimes for which he's serving time, Coffey seems to be a kind and well-mannered person who behaves more like an innocent child than a hardened criminal. Soon Edgecomb and two of his fellow guards, Howell and Stanton, notice something odd about Coffey: he's able to perform what seem to be miracles of healing among his fellow inmates, leading them to wonder just what sort of person he could be, and if he could have committed the crimes with which he was charged.