Like everything else he does, musical iconoclast David Sylvian's idea of a retrospective compilation is very different from the norm. Sleepwalkers is a 16-track, hour-plus collection focused on his many collaborations during the previous decade. Included are alternate takes from his own albums, remixes, reworked material and his contributions to the albums of others. There is one new cut, pointing to the future: "Five Lines" with Japanese composer Dai Fujikura, is a complex art song with a string quartet. (According to Sylvian, Fujikura is working with him on a completely new, orchestral version of Manofon.) This new piece is one of the many highlights.
David recently completed work on a compilation cd featuring some of the best of his collaborative work of the last decade or so. Entitled 'Sleepwalkers' it contains fresh remixes by David and a new composition with classical composer Dai Fujikura entitled 'Five Lines'.
A number of the tracks have been given a subtle remix by David to bring them in line with his personal requirements while others have been given more obvious updates and changes. All the material has been completely remastered.
An extension of David Sylvian's penchant for experimentation and collaboration, Wandermüde sees electro-acoustic artist Stephan Mathieu remix Sylvian's 2003 album Blemish. The project was originally intended to produce an ambient score for a new digital application that Sylvian was working on to showcase his photography. David Sylvian s experimental breakthrough Blemish sees a new interpretation in the album Wandermüde, by the remarkable electroacoustic musician Stephan Mathieu. Working from the instrumental source material, Mathieu brings us a new experience of the most stirring textures and darkest thoughts from this pivotal album.
This album contains three compositions (two of them long form) created exclusively for two independent gallery installations. Two pieces,'The Beekeepers Apprentice' and 'Epiphany' originally accompanied the 'Ember Glance' installation, a multi media work made in collaboration with the artists Russell Mills and Ian Walton, and exhibited in Tokyo, September 1990. 'Approaching Silence' accompanied the multi media work 'Redemption' installed at the P3 Gallery, Tokyo 1994. The CD was compiled and released in 1999.
6 panel digipak with a matte laminate finish featuring artwork by Hannah Bertram and art direction by David Sylvian* At last fall's Punkt Festival-one of the world's premiere get-togethers of improvising and adventurous musicians, an audio installation by David Sylvian filled the space, and the opening night celebration brought poets and musicians into the mix: the acclaimed Norwegian poets Paal-Helge Haugen and Nils Christian Moe Repstad read alongside Evan Parker and Arve Henriksen, and their works were read in English by Sylvian, whose recorded voice was accompanied by John Tilbury, Philip Jeck, and Sidsel Endresen.
In There Is No Love, Davies, Sylvian and Wastell offer a sparse and brooding setting of Bernard Marie Koltès’ text – part of a longer play from 1985 - in which its two characters, named only the Dealer and Buyer, are barely more than ciphers, their ghostly figures enacting a mysterious negotiation in a crepuscular world where emotional engagement has departed in place of commodified exchange (“There is no love”.) What, exactly, is being bought and sold is never revealed, yet Sylvian’s careful enunciation bristles with implicit violence and desire.
Died in the Wool — variations on David Sylvian's 2009 release Manafon with the addition of 6 new pieces, including collaborations with acclaimed composer Dai Fujikura, producers Jan Bang and Erik Honoré and a stellar roster of contemporary musicians and improvisers. Released as a Double CD digipak in a hardboard slipcase. Disc Two featuring audio from the installation When We Return You Won't Recognise Us.
With a well-received studio album in the form of The First Day issued in summer 1993, Sylvian/Fripp took to the road for a lengthy tour to support the release. Trey Gunn reprised his role from the earlier tour and studio recordings as stick player, while Pat Mastelotto joined the group on drums, a position which led to his being offered a role in the 1990s King Crimson, a band in which he has remained a member of every line-up since. Producer and recordings artist Michael Brook completed the touring ensemble.
Following on from their glorious and lyrical collaborative work on Gone To Earth, David Sylvian and Robert Fripp produced the unexpectedly fiery and funky The First Day in 1993. Hypnotically groovy and intensely vicious, while showcasing Fripp's Soundscapes identity, the album marked a departure for Sylvian and can be more easily understood as a missing King Crimson link between Three Of A Perfect Pair and Thrak than a typical post-Japan Sylvian venture.
Rain Tree Crow is the result of a collaboration between former Japan members David Sylvian and Mick Karn. Sylvian and Karn teamed with keyboardist Richard Barbieri and Steve Jansen, adding guitarists Phil Palmer and Bill Nelson for their self-titled debut. Like a mellower, new age-oriented version of Japan, Rain Tree Crow explores stark soundscapes that sound alternately beautiful and desolate. Although it is a bit too challenging to provide a good introduction to Sylvian and Karn's music, the album remains fascinating for their fans.