By the time of his third album, altoist David Sanborn's popularity and influence was growing month by month. Most of these numbers feature Sanborn with an enlarged rhythm section (with such studio vets as guitarists Hugh McCracken and David Spinozza, Don Grolnick or Richard Tee on keyboards, vibraphonist Mike Mainieri, bassist Herb Bushler and drummer Steve Gadd). However, "Short Visit" is something special, for Sanborn was joined by what was mostly the Gil Evans Orchestra; Evans even wrote the chart. Otherwise, this is a typical Sanborn release with plenty of danceable rhythms and the focus on his passionate alto.
Released in 1980, Hideaway earned David Sanborn fame beyond that of the average studio musician, and rightfully so. Many releases by studio musicians suffer from weak compositions and overproduction, including some albums by Sanborn himself. However, Hideaway features a stripped-down, funky sound that showcases the artist's passionate and distinctive saxophone sound. This includes two tunes co-written with Michael McDonald and the "love theme" from the motion picture American Gigolo, appropriately entitled "The Seduction." All eight tunes on Hideaway are winners.
Charming and romantic fit the description of Gato Barbieri and the work he presents here, the album Ruby, Ruby. The production of the record, mastered and engineered handsomely by Herb Alpert, is very lush and beautiful to a lasting degree. Barbieri turns his first song, "Ruby," from an early-on haunting love ballad to an appealing and gripping all-out Latin jam session. This theme happens to find itself playing roles several times over throughout the record. The musicianship explored is captivating and adventurous, taking the listener on a passionate journey to whatever part of the soul he or she wishes to find or dares to pursue.
Jazz singer/songwriter Michael Franks is an artist most jazz fans feel strongly about one way or another. His unique, romantic poet-cum-laid-back hipster approach to jazz signing is breezy, light, and languid. It's also uniquely his own, though deeply influenced by Brazilian jazz, bossa, and samba. Time Together, his first recording of new material in five years – and his debut for Shanachie – is unlikely to change anyone's opinion of him, but that doesn't mean this is a rote recording. Time Together is an airy, groove-ridden summer travelog that ranges from St. Tropez and New York to Paris, France, and Egypt; it journeys through the nostalgic past and finds space in the present moment, with cleverly notated, languorous, ironic observations about life. Franks split the production and arranging duties between Charles Blenzig, Gil Goldstein, Chuck Loeb, Scott Petito, and Mark Egan. The rest of the international cast on this polished 11-song set includes old friends and new faces David Spinozza, Mike Mainieri, David Mann, Eric Marienthal, Till Brönner, Alex Spiagin, Jerry Marotta, Billy Kilson, Romero Lubambo, and backing vocalist Veronica Nunn.
Laurie Anderson's third proper studio album, coming over five years after 1984's Mister Heartbreak (1986's Home of the Brave was a film soundtrack), is a near-total departure from anything she had done before or, indeed, anything she did after. The most purely musical of Anderson's albums and the one on which she does the most actual singing (though her trademark deadpan spoken-word passages are still present and accounted for), Strange Angels seems to be Anderson's idea of a straightforward pop album.
Released at the height of the singer-songwriter era, Life And Times put Jim Croce up there with the best of them.
is singer-songwriter 's ninth album, and eighth studio album, released in 1979. It is also her last album for . The title of the album is a tribute to , whose quote “I am an international spy in the house of love”, is written across the top on the inside jacket. dedicated the album to producer , in which she wrote in the liner notes, "Dedicated to who is himself fantastic."