David Spinozza

New York Liner & David Matthews - New York Liner (1981) {Japan Electric Bird The Best 1000 Series KICJ-2380 rel 2014}

New York Liner & David Matthews - New York Liner (1981) {Japan Electric Bird The Best 1000 Series KICJ-2380 rel 2014}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 224 Mb | MP3 @320 -> 87 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar | 24-bit remastering
© 1981, 2014 Electric Bird / King Record Japan | KICJ-2380
Jazz / Jazz Funk / Fusion

Reissue with the latest 24-bit remastering. Features original cover artwork. Comes with a descripton in Japanese. One of the best Jazz Fusion albums ever produced…..and Eric Gale on guitar is a wonderful contributor. Recording is similar in sound and vibe to Eric Gale's other Jazz/Fusion records. If you like "In a Jazz Tradition" or "In the Shade of a Tree" you'll like this.

David Sanborn - Hideaway (1980) Japanese Remastered 2014  Music

Posted by Designol at March 13, 2016
David Sanborn - Hideaway (1980) Japanese Remastered 2014

David Sanborn - Hideaway (1980) Japanese Remastered 2014
EAC | FLAC | Image (Cue&Log) ~ 288 Mb (incl 5%) | Mp3 (CBR320) ~ 126 Mb (incl 5%) | Scans included
Genre: Crossover Jazz, Smooth Jazz | Label: Warner Bros. | # WPCR-28021 | Time: 00:37:58

Released in 1980, Hideaway earned David Sanborn fame beyond that of the average studio musician, and rightfully so. Many releases by studio musicians suffer from weak compositions and overproduction, including some albums by Sanborn himself. However, Hideaway features a stripped-down, funky sound that showcases the artist's passionate and distinctive saxophone sound. This includes two tunes co-written with Michael McDonald and the "love theme" from the motion picture American Gigolo, appropriately entitled "The Seduction." All eight tunes on Hideaway are winners.

David Sanborn - Heart To Heart (1978) Japanese Remastered 2013  Music

Posted by Designol at March 4, 2016
David Sanborn - Heart To Heart (1978) Japanese Remastered 2013

David Sanborn - Heart To Heart (1978) Japanese Remastered 2013
EAC | FLAC | Image (Cue&Log) ~ 278 Mb (incl 5%) | Mp3 (CBR320) ~ 121 Mb (incl 5%) | Scans included
Genre: Crossover Jazz, Fusion, Jazz Funk, Smooth Jazz | Label: Warner | # WPCR-27467 | Time: 00:39:55

By the time of his third album, altoist David Sanborn's popularity and influence was growing month by month. Most of these numbers feature Sanborn with an enlarged rhythm section (with such studio vets as guitarists Hugh McCracken and David Spinozza, Don Grolnick or Richard Tee on keyboards, vibraphonist Mike Mainieri, bassist Herb Bushler and drummer Steve Gadd). However, "Short Visit" is something special, for Sanborn was joined by what was mostly the Gil Evans Orchestra; Evans even wrote the chart. Otherwise, this is a typical Sanborn release with plenty of danceable rhythms and the focus on his passionate alto.
David "Fathead" Newman - The Weapon (1972) {2013 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]

David "Fathead" Newman - The Weapon (1972) {2013 Japan 24-bit Remaster} [Jazz Best Collection 1000 Series]
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 173 Mb | MP3 @320 -> 77 Mb
Full Artwork @ 600 dpi (png) -> 137 Mb | 5% repair rar | 24-bit remaster
© 2013 Atlantic / Rhino / WEA / Warner Japan | WPCR-27416 | Jazz Best Collection 1000 Series
Jazz / Jazz Funk / Soul Jazz / Saxophone

One of the sweetest, funkiest 70s sets from reedman David Fathead Newman – an album that has the saxophonist blowing over some great arrangements from William Eaton – who brings in a full sound that almost gives the album a soundtrack sort of vibe! Newman's tenor, alto, and flute get plenty of solo space throughout – and the richer arrangements by Eaton really bring in a strong set of feeling to the record – a depth that David wouldn't have been able to achieve on his own, and which really seems to influence the level of his solos. Other players are great too – and include Richard Tee on organ, Cornell Dupree on guitar, and Bernard Purdie on drums – and the set includes a number of tracks by Allen Toussaint, including "Yes We Can Can", "Happy Times", and "Freedom For The Stallion". Other titles include "Missy", "You Can't Always Get What You Want", and "Seems Like I Gotta Do Wrong".

David Sanborn - Hideaway (1980) {Warner}  Music

Posted by tiburon at July 1, 2014
David Sanborn - Hideaway (1980) {Warner}

David Sanborn - Hideaway (1980) {Warner}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 228MB + 5% Recovery
Genre: Fusion, Jazz Funk

Released in 1980, Hideaway earned David Sanborn fame beyond that of the average studio musician, and rightfully so. Many releases by studio musicians suffer from weak compositions and overproduction, including some albums by Sanborn himself. However, Hideaway features a stripped-down, funky sound that showcases the artist's passionate and distinctive saxophone sound. This includes two tunes co-written with Michael McDonald and the "love theme" from the motion picture American Gigolo, appropriately entitled "The Seduction." All eight tunes on Hideaway are winners.

David Graeber - Progetto democrazia. Un'idea, una crisi, un movimento  eBooks & eLearning

Posted by Karabas91 at March 6, 2018
David Graeber - Progetto democrazia. Un'idea, una crisi, un movimento

David Graeber - Progetto democrazia. Un'idea, una crisi, un movimento
Italian | 2014 | 279 pages | ISBN: 884281976X | EPUB | 1 MB

Si può definire democratico un sistema politico che tutela i più ricchi e abbandona il 99% della popolazione? Gli strumenti di questa democrazia, la democrazia liberale, non sono in grado di affrontare e risolvere la crisi in atto. È necessario un cambiamento sociale per realizzare una democrazia reale e riportare al centro del dibattito la disuguaglianza economica. David Graeber osserva come non siano più l'industria e il commercio a determinare la ricchezza, bensì la pura speculazione con la creazione di complicati strumenti finanziari. Lontana dall'economia reale, la finanziarizzazione del capitalismo è una vera e propria collusione tra governo e istituzioni finanziarie mirata a indebitare una percentuale sempre più alta di cittadini e ad arricchirne una sempre più esigua. I governi non riflettono più il volere del popolo né il consenso popolare. È quindi impossibile parlare ancora di democrazia..

Earl Klugh - Late Night Guitar (1980) {Blue Note}  Music

Posted by tiburon at Feb. 28, 2018
Earl Klugh - Late Night Guitar (1980) {Blue Note}

Earl Klugh - Late Night Guitar (1980) {Blue Note}
EAC 0.99pb4 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 189MB + 5% Recovery
MP3 CBR 320 Kbps | 86MB + 5% Recovery
Genre: Smooth Jazz, Fusion

This is the perfect setting for acoustic guitarist Earl Klugh, playing strong melodies (including such standards as "Smoke Gets in Your Eyes," "Laura," "Mona Lisa," and "Two for the Road") while joined by strings and several horns in an orchestra arranged and conducted by David Matthews. As usual for a Klugh session, the guitarist sticks mostly to the themes and does not improvise much, as he never considered himself a jazz player; but the overall effect is quite pleasing.
Robin Kenyatta - Gypsy Man (1973) {Wounded Bird WOU1633 rel 2008}

Robin Kenyatta - Gypsy Man (1973) {Wounded Bird WOU1633 rel 2008}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 272 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 300 dpi (jpg) -> 8 Mb | 5% repair rar
© 1973, 2008 Atlantic / Wounded Bird Records | WOU 1633 (Atlantic SD 1633)
Jazz / Hard Bop / Jazz Blues / Soul Jazz / Jazz Funk

In 1972, two years after the release of Robin Kenyatta's seminal Girl from Martinique outing for ECM, he signed to Atlantic and released another seminal bit of classy jazz-funk. Gypsy Man, produced by Michael Cuscuna, has a who's-who lineup of players who would be synonymous with the newly emerging subgenre of jazz: drummer Billy Cobham (still a member of the Mahavishnu Orchestra at the time), percussionist Ralph MacDonald, session drummer Rick Marotta, guitarists Keith Loving and David Spinozza, pianist Larry Willis on Fender Rhodes, bassist Stanley Clarke (who released his own classic debut Children of Forever the same year and played on two of Norman Connors now legendary dates from the period, Dance of Magic and Dark of Light), and more.

Les McCann - Invitation To Openness (1972) {Atlantic}  Music

Posted by tiburon at Feb. 2, 2018
Les McCann - Invitation To Openness (1972) {Atlantic}

Les McCann - Invitation To Openness (1972) {Atlantic}
EAC 0.99pb5 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 303MB + 5% Recovery
MP3 CBR 320 Kbps | 124MB + 5% Recovery
Genre: Jazz-Funk, Fusion

Label M has reissued the classic 1972 Les McCann album Invitation to Openness on CD with the majority of the tunes receiving the benefit of advanced technology. On this recording, the 26-minute "The Lovers" is more illustrative, freer in its essence and translation of the predominant free love theme of the '60s and '70s. Every nuance of McCann's stream of consciousness comes through loud and clear, as do the excellent solos by Yusef Lateef on a wide array of reeds, flutes, and percussion. David Spinozza's electric guitar chops and Alphonse Mouzon's drum and percussion feelings on McCann's completely improvised composition are an auditory delight for fusion fans. McCann adds a couple of piano melody lines and a couple of basslines, but other than that this composition is freely improvised by the musicians.

Warren Bernhardt - Manhattan Update (Japan Edition) (1980/2016)  Music

Posted by Domestos at Jan. 27, 2018
Warren Bernhardt - Manhattan Update (Japan Edition) (1980/2016)

Warren Bernhardt - Manhattan Update (Japan Edition) (1980/2016)
EAC Rip | FLAC (tracks+.cue, log) ~ 215.99 Mb | 37:02 | Cover
Fusion, Post-Bop | Country: USA | Label: Sony/Arista - SICJ 212

I have been looking for this album for a very long time now, my cousin lend me a copy of this around mid-80's and he wasn't quite sure about the title of the album but he's definitely sure it's Warren. My first CDs of Mr.Bernhardt were all from his DMP released CDs, two tunes from this album were even re-recorded but with a different arrangement and with a more straight ahead feel not like the ones included in this album. Try listening to the title cut and you will know what I'm talking about, Steve Gadd's rudimentary drum solo from this cut can be likened to Larry Carlton's masterworks on Steelydan's "Royal Scam". The Original Album contains 5 tunes and I was hoping they would come up with bonus takes for the CD version but hey it's better than not having a copy of maybe one of the most exciting Jazz Albums ever released during the 80's.