When these recordings first came out, far in advance of the period instrument revolution, they were revelations. Though modern instruments were used, there was an effort to get performance practices right… And there was the incredibly powerful, absolutely heavenly sound of that chorus of men and boys, as well as the lifelike recordings that perfectly captured the vast space of the Chapel of King's College. Since that time there have been other performances that depict the letter of each work to a greater degree than these, but many listeners will argue that there are none that have better encapsulated the spirit of this music… These are star-studded "great singing" recordings in which the artists will be remembered as much as the music itself.
Matchbook is an album by Cold Chisel member Ian Moss released in 1989. It spent 3 weeks at the top of the Australian Album charts in 1989 and was preceded by the single "Tucker's Daughter" which was also a No. 1 hit. The first four tracks on the album were all released as singles. Matchbook was the first solo album for Moss and featured several songs written for him by Don Walker, also from Cold Chisel.
"Thick as a Brick 2", abbreviated TAAB 2 (pronounced /tæb tuː/ by Anderson) and subtitled Whatever Happened to Gerald Bostock?, is the fifth studio album by Jethro Tull frontman Ian Anderson, released in 2012 as a follow-up of Thick as a Brick, Jethro Tull's highly acclaimed 1972 parody concept album. It entered the Billboard chart at No. 55.
"Rupi's Dance" (2003) is the fourth studio album by Jethro Tull frontman Ian Anderson. The album was released around the same time as Jethro Tull guitarist Martin Barre's new solo album, Stage Left.
Released in tandem with Janis Ian's autobiography, Society's Child, this best-of compilation collects all the songs mentioned in the book, as well as several rarities. Ian's first demo, a distorted lo-fi version of "Hair Of Spun Gold," makes a welcome appearance, while "Ginny The Flying Girl" arrives via a 1981 Sesame Street album. Also notable are the handful of re-recorded songs on this two-disc collection, as well as several live tracks. Perhaps this isn't the definitive Janis Ian anthology for casual fans – it's too specialized for that – but Ian enthusiasts should make it a staple of their collections.
This is Janis Ian's second album from her re-emergence in the early to mid-'70s as one of the genre's most inspired and original singer/songwriters.