A capable purveyor of R&B, intimate ballads, or boogie-woogie piano who sang in a high, sweet voice with soul and chutzpah similar to that of Lula Reed, Lil Green or Julia Lee, Viviane Greene made a series of fine little recordings for five different labels in San Francisco and Los Angeles between late 1947 and July 1955. This compilation claims to contain all of her recorded works with the exception of her 1962 Finer Arts material. The most dazzling tracks are without question her instrumentals, for Viviane Greene was a classically trained pianist who developed her chops working steadily at nightclubs in San Francisco, Los Angeles, and Denver, Colorado. "The Unfinished Boogie," based upon Franz Schubert's Unfinished Symphony, is dynamite. "Jades of Greene" was named for the pianist's eldest daughter who was taken away by Lupus disease at the tender age of twelve. Claude Debussy's Clair de Lune appears to be the closest that this artist ever came (on record anyway) to realizing her dream of being a classical pianist. Most of the songs heard here are good time R&B entertainment or sultry love songs, some of which draw upon the standard jazz repertoire.
En vivant, en écrivant. Dans cet essai brillant, David Lodge s'intéresse à des écrivains mythiques comme Graham Greene ou Kingsley Amis. Au-delà de l'œuvre, Lodge retrace le parcours intime d'hommes et de femmes qui ont choisi le métier d'écrire. C'est le risque personnel qui intéresse Lodge : comment supporter les aléas du succès, les caprices des ventes et de la critique ? Peut-on vraiment vivre quand on décide de consacrer son existence à la fiction ? …
Essential: a masterpiece of country-rock music
Like a super-stoned campfire jam with an A-list of Cali hippie-rockers – including Joni Mitchell and most of the Grateful Dead, Jefferson Airplane, and CSNY – this hazy solo project by the altered-consciousness overachiever sounds like it was pretty much made up on the spot.