This previously unreleased 3LP was recorded live at Earls Court, London on the 30th June and 1st July, 1978 by Tony Visconti. It was mixed by David and David Richards at Mountain Studios, Montreux from 17th – 22nd January, 1979.
Quite definitely the best Bowie record of all. Every track is a winner on this recording. He's helped out by Robert Fripp on guitar who stamps his personality all over this album. 'It's No Game pt1' is the first, hardest and most discordant song on the LP and Bowie sounds berserk on it!. Things calm down a bit with 'Up the Hill Backwards' but it's an odd little tune and a strange choice as a single. The title track is fantastic, particularly with the vocoded Dalek sounding vocals. We all know how great the two hit singles are so I'll skip them.
The Sound+Vision 4 cd boxset covers DAVID BOWIE s career from 1969 to 1994 starting with the acoustic demo version of his first hit, Space Oddity to the return to his Bromley roots for the soundtrack to Hanif Kureishi s The Buddha Of Suburbia which is often cited as the most underrated piece in the Bowie canon. Sound+Vision is a collection spanning four decades, covering the 21 albums from Space Oddity through to The Buddha Of Suburbia. It s a rich survey of David Bowie's many musical lives offering a generous helping of hits, an intriguing dip into archives, classic album tracks and long lost B-sides, explosive live recordings, soundtrack recordings and remixes.
The third installment in a comprehensive deluxe reissue series of David Bowie's entire catalog, A New Career in a New Town (1977-1982) chronicles perhaps the most artistically ambitious phase in Bowie's career – one that began with 1977's Low and concluded with 1980's Scary Monsters (And Super Creeps)…
This black vinyl 45 rpm 12” single features the first appearance of the full length demo of ‘Let’s Dance’, previously released in an edited form through digital download and streaming services for David’s birthday on 8th January this year. The full length version clocks in at 7.34, compared the edit which is 5.19 in length. Both versions were mixed by Nile Rodgers (original co-producer of the demo with David) in December of last year. The demo is backed by the live version of ‘Let’s Dance’, which was recorded live at Pacific National Exhibition Coliseum in Vancouver on 12th September 1983 and mixed by Bob Clearmountain. This version can be seen on the Serious Moonlight concert film, and was also previously available on the reverse of the Australian David Bowie Is exhibition as an exclusive yellow vinyl 7” single. The sleeve of the 12” single is a colour variation of the original Let’s Dance single cover.