Erstwhile 10,000 Maniacs frontwoman Natalie Merchant continues her highly successful solo career with LIVE IN CONCERT, a show that was recorded at New York's Neil Simon Theater. The set opens, somewhat appropriately, with one of the songs that got Merchant's solo career off to a blazing start, "Wonder." As she usually does in live performance, Merchant plays with the lyrical phrasing of the song to add unexpected melisma and daring tonal gambits. Merchant lends the dark and ephemeral "San Andreas Fault" a lightly sultry quality not found on the studio version. Other familiar favorites include "Beloved Wife," "Carnival," and "Ophelia." Merchant revisits the Maniacs' catalog only once, for a rousing take on "Gun Shy." Two unexpected covers spice the middle of the set: a haunting and powerful reading of David Bowie's "Space Oddity," and a beautiful take on Neil Young's "After the Gold Rush".
Although the Crusaders could not have known it at the time, their recording of "Street Life" (which features a memorable vocal by Randy Crawford) was a last hurrah for the 20-year old group. Their recordings of the next few years would decline in interest until the band gradually faded away in the '80s. However this particular set is well worth picking up for the 11-minute title cut and there is good playing by the three original members (Wilton Felder on tenor, soprano and electric bass, keyboardist Joe Sample and drummer Stix Hooper) along with guitarist Barry Finnerty; horn and string sections, plus additional guitarists are utilized on Sample's commercial but listenable arrangements.
With her mind-blowing mix of heavy metal guitar prowess and bluesy, soulful vocals, Orianthi will draw some justifiably well-earned comparisons to such giants of rock guitar as Jimi Hendrix and her own idol, Carlos Santana, on her 2009 sophomore album, Believe – re-released in 2010 as Believe (II) with four different songs than the original version, including a cover of John Waite's "Missing You." That said, her style hews closer to the more finger-frenetic pyrotechnics of such '70s and '80s icons as Eddie Van Halen and Steve Vai…
An incredible tribute to German pianist Jutta Hipp – one of the few female players in the postwar European jazz scene, and one of the few who managed to make a splash on this side of the Atlantic too! Jutta's best known to American audiences for a handful of records she cut for Blue Note – and this set takes those records, and moves way way past them – to including a huge range of material that really opens up our understanding of Hipp's music in her all-too-short career! The CDs feature early German recordings – in a number of sessions with small groups that include a quintet with Emil Mangelsdorff on alto and Joki Freeund on tenor, a number of performances in the New Jazz Stars group of tenorist Hans Koller, work in a quintet with Attila Zoller on guitar, another sextet with Albert Mangelsdorff on trombone, and a group co-led with baritone saxoponist Lars Gullin.
STAYING A LIFE is a double live album by Accept, released in 1990. It was recorded in Osaka, Japan, in 1985. It was released in 1990, shortly after the band's first breakup. It was mixed by Uli Baronowsky at Dierks Studios, Stommeln. Live footage from the 1985–1986 world tour was released in VHS also in 1990, with the same title and cover art.
Deluxe three disc (two CDs + DVD) edition of this live release from the Van Der Graaf Generator leader containing the Berlin 1992 concert on two CDs plus a DVD featuring the very same performance…
Just like any other skill, learning piano takes time, but that doesn't mean you're stuck playing elementary sounding music while you're still learning your craft. This lesson offers several tips and techniques to add life to simple chords you probably already know. Come check it out!