Running on Empty is the fifth album by American singer-songwriter Jackson Browne. Released in 1977, the album reached #3 on the Billboard Pop Albums chart in 1978 and stayed on the charts for 65 weeks. The single for the title track, "Running on Empty", peaked at #11 and the follow-up single, "The Load-Out"/"Stay", reached #11 on the Billboard Pop Singles chart. The song "Running on Empty" was included in the film Forrest Gump. On November 15, 2005, Elektra/Rhino issued a remastered version with the following additional tracks: 11. "Cocaine Again" and 12. "Edwardsville Room 124" on Disc 2 of the package, which is a DVD Audio version of the album's track lineup that features a 5.1 surround sound mix, among other bonus items, such as video montages and lyrics. Disc 1 is a remaster of the original album's song list only. The remaster is missing the first 25 seconds of audience ambience that, on all other previous editions of the album, led into the beginning of the album's title track. For reasons unknown, this snippet, which included the sounds of the musicians' count into the song's opening, was edited out on this version, though curiously the Disc 2 DVD Audio version includes the 25 seconds missing on Disc 1.
In the twenty-first century, Anathema have often been mentioned in the same breath as Opeth and Porcupine Tree due to their increased movement towards thoughtful progressive rock structures. It hasn’t always been that way, of course. Like Opeth, the band began life as a totally different musical beast, playing in a melodic death metal style. Shifting line-ups naturally resulted in shifting sounds, and by the time the band signed with the legendary Music For Nations label for their fifth album ‘Judgement’ in 1999, they’d settled on a rather tough but accessible blend of gothy and alternative rock.
Comprising three discs of remastered audio material and a full length live DVD, ‘Fine Days 1999-2004’ presents a detailed look this important period in the Anathema history…
Eric Clapton was already an acknowledged master of the electric guitar in January 1992 when he traded his signature Stratocaster for an acoustic Martin to record Unplugged. The live album captured the legendary guitarist, backed by a small band, performing acoustic versions of his own songs and several blues standards. Released later that same year, the album was an unqualified blockbuster, selling more than 19 million copies worldwide and earning six Grammy Awards, sweeping the top honors, including Record of the Year, Album of the Year and Song of the Year. Reprise Records celebrates Clapton's electrifying acoustic performances with a new 2-CD/DVD collection that includes a remastered version of the original album along with six unreleased outtakes on two CDs. The DVD features a newly restored version of the concert, as well as more than an hour of previously unseen footage from the rehearsal.
There Is a Season is a four-CD box set by the American rock band The Byrds that was released on September 26, 2006 by Columbia/Legacy. It comprises 99 tracks and includes material from every one of the band's twelve studio albums, presented in roughly chronological order. In addition to the four CDs, the set also includes a bonus DVD featuring ten previously unissued television performances.
Erstwhile 10,000 Maniacs frontwoman Natalie Merchant continues her highly successful solo career with LIVE IN CONCERT, a show that was recorded at New York's Neil Simon Theater. The set opens, somewhat appropriately, with one of the songs that got Merchant's solo career off to a blazing start, "Wonder." As she usually does in live performance, Merchant plays with the lyrical phrasing of the song to add unexpected melisma and daring tonal gambits. Merchant lends the dark and ephemeral "San Andreas Fault" a lightly sultry quality not found on the studio version. Other familiar favorites include "Beloved Wife," "Carnival," and "Ophelia." Merchant revisits the Maniacs' catalog only once, for a rousing take on "Gun Shy." Two unexpected covers spice the middle of the set: a haunting and powerful reading of David Bowie's "Space Oddity," and a beautiful take on Neil Young's "After the Gold Rush".