"Spirits Having Flown" is the fifteenth album released by the Bee Gees. It was the group's first album after their collaboration on the Saturday Night Fever soundtrack. The album's first three tracks were released as singles and all reached No. 1 in the US, giving the Bee Gees an unbroken run of six US chart-toppers and tying a record set by The Beatles. It was the first Bee Gees album to make the UK top 40 in ten years (not counting the soundtrack for Saturday Night Fever), as well as being their first and only UK No. 1 album. It has sold 20 million copies worldwide.
THE ULTIMATE BEE GEES is a double-disc career retrospective featuring the group's many hits and chart-topping singles, performances of a selection of hit songs they wrote for others, and liner notes by Tim Rice. Tim Rice's liner notes accompanying THE ULTIMATE BEE GEES puts the group's extravagant popularity into perspective. 'Within this package is a collection of performances and songs that very few practitioners of popular music of the past could match for quality, originality, and emotion. It's the singing, the harmonies, the arrangements, the sound, the rivalry, the love, the intelligence, the determination, but above all it's the songs.'
This sequel to Saturday Night Fever lacked the box office clout of the original, and the soundtrack album was likewise a disappointing seller, but it actually contains some of the better Bee Gees work of the 80s, notably the sad ballad "Someone Belonging to Someone".
The Very Best Of The Bee Gees Live, from the band's One For All tour, marks the brother's triumphant live return after a 10-years absence from the concert stage. This stunning, digitally recorded concert was lit by award-winning designer, Alen Branton, and was shot with more than 16 cameras. Recorded live at the National Tennis Centre in Melbourne, Australia, the show is a joyfulelebration of 27 multi-platinum Bee Gees hits spanning more than 20 years. Additional materials in the DVD include a Bee Gees discography and a career timeline.
One is the Bee Gees' eighteenth studio album, released in April 1989 (in the United States the release was delayed, coming out in August of the same year). After the European success of their previous album, E.S.P., the Gibb brothers began to work on the One album in early 1988. In March, their brother Andy suddenly died and the Bee Gees took a break until November when they returned to the studio to complete the album. The style of One was more melancholic than E.S.P., and heavily influenced by the loss of their brother. The first single from the album, "Ordinary Lives", dedicated to Andy, was an example of that.
Polydor wised up with this 1997 expanded version of their 1990 set, The Very Best of the Bee Gees, in that they took the collection and added nine tracks (from 12 to 21), intensifying the study of the impressive depth and breadth of the Bee Gees catalog. The collection runs chronologically from the group's late-'60s folk-pop period through their legendary disco contributions, thus tracing the arc of the Gibbs brothers' diverse career via their influence on pop culture and vice versa. The collection is then topped off by two late-'80s cuts that sit alongside the collection remarkably well and serve as a reminder that the Bee Gees were much more than the definition of disco, but continued to write some great songs regardless of production or arrangement.