Tomato's Dust My Broom collects some of the last recordings of Elmore James' career, including "Baby Please Set a Date," "The Sky Is Crying," "Done Somebody Wrong," and "Shake Your Moneymaker." As is expected, James' incendiary slide guitar cuts through every track…
Billed as a "companion" to the 2016 posthumous collection Heal My Soul, Holding On combines a full live concert from 1999 with five additional studio outtakes. According to Roger Costa, the compilation's producer, these five songs were left off of Heal My Soul "primarily because they didn't quite fit into the flow" and "they were too good not to share." They had been shared once before, on a limited-edition vinyl called Heal My Soul: Bonus Sessions, but the digital release is welcome because they're solid songs, highlighted by the charging "Love Takes Time," the hooky "Every Other Guy," and "All That I Believe," which feels a bit like a conscious re-write of Hootie & the Blowfish. All are nice additions to the Healey catalog and the concert is solid, too – perhaps a little too pristine and polished, but still worthy for Healey heads.
In the world of music, there was never anyone quite like ARTHUR 'BIG BOY' CRUDUP. Rooted in the Mississippi Delta, his style was propulsive, melodic, original, and profoundly soulful. If he wasn’t 'The Father of Rock ‘n’ Roll', as one LP proclaimed, there’s no doubt that rock ‘n’ roll owes a debt to his songs, including That’s All Right Mama, My Baby Left Me, Rock Me Mamma, So Glad You’re Mine, and Mean Ol’ Frisco Blues, as much as to his tight, swinging brand of rural blues.
The very thing that made Luther Allison noteworthy became an albatross around his neck. Years after his initial run of records in the '70s, he was known for the same thing he was at the time – he was the only blues artist on Gordy, or any Motown affiliated label. This was true and novel, but many focused on the novelty, not the truth, ignoring Allison's status as a terrific torchbearer of raw Chicago blues. Some of material illustrates some contemporary influence – dig that funky groove and organ on "Raggedy and Dirty," or the rock-oriented slow burn of Mel London's "Cut You A-Loose" – but as his original title track illustrates, he can also deliver a torturous, impassioned slow grind. Still, this isn't an album about originality, it's a record how tradition can remain alive in a contemporary setting. Apart from the slightly cleaner production and the extended running time, this could have been released 15 years earlier, since its heart is in classic Chicago blues, particularly Chess. He draws on Willie Dixon via Howlin' Wolf for the first two tracks, dipping into Elmore James and B.B. King's catalogs later on in the record.
75 tracks… Many featured tracks were hits sung by many well-known artists from that time like Bill Haley & His Comets, Chuck Berry, Jerry Lee Lewis, The Isley Brothers, Little Richard, Howlin' Wolf, Ray Charles, Roy Orbison, Paul Anka and Elvis Presley … This box set is a great addition to any CD collection.If you wanted to add a rock n roll genre to your collection, wanted a decent compilation for your car or needed a collection of rock and roll classics for a party, then you cant go wrong with this set.
This box is separated into 4 categories by CD: Guitar, Piano, Vocalists and Chicago. The assortment is staggering…contains tracks by all of these must-hear artists: John Lee Hooker, the Kings (BB, Freddie and Albert) on the Guitar ad Chicago CDs, as well as Buddy Guy & Junior Wells, Otis Rush, Koko Taylor…on the Piano CD you get "Champion" Jack Dupree, Big Joe Turner, Dr. John AND Professor Longhair AND Ray Charles.