The complete BBC radio sessions, highlights from three concert broadcasts and over three and a half hours of interviews. Deluxe lift off lid 3-piece cigarette style box and 36 page booklet. Between February 1973 and October 1977, Queen recorded six sessions for the BBC – twenty four new and alternative recordings spanning four albums. They revisited nineteen different songs in all: My Fairy King (the first Queen song ever to be broadcast on radio), Liar, Son And Daughter, Doing All Right, Great King Rat, Modern Times Rock’n’Roll, Ogre Battle, Nevermore, White Queen, See What A Fool I’ve Been (a song that never appeared on any Queen studio album), Now I’m Here, Stone Cold Crazy, Flick Of The Wrist, Tenement Funster, Spread Your Wings, My Melancholy Blues, It’s Late, the only known studio recording of their dramatically different full-band ‘fast’ arrangement of We Will Rock You and the song that became their very first single Keep Yourself Alive. All six sessions have been remastered and feature here together for the very first time.
The Future Sound of London (often abbreviated to FSOL) is a British experimental electronic music duo, formed in 1988 in Manchester, United Kingdom, and made up by Garry Cobain and Brian Dougans. Their music style covers most areas of electronic music, such as techno, drum and bass, house, trip-hop, ambient, dub, and often incorporates elements of jazz, classical and psychedelic rock. The original Environments album was conceived and written back in 1993, now on to its 6th instalment Environment Six and Environment 6.5, when combined, create a double album of 46 tracks. Sweeping between luscious dreamscapes to delicately melodically compositions to intensely highly programmed electronics sculptures Environment Six and Environment 6.5 continue the journey towards the boundaries of the future of sound.
Canadian composer and multi-instrumentalist Rick Miller made his debut effort as a solo artist back in 1983 with the new age production Starsong, which shifted a highly respectable 30.000 units at the time. He would follow up this venture with Windhaven in 1987, and his efforts Interstellar Passage from 1998 and the EP No Passion, No Pain from 2009 would continue exploring similar musical territories. But after honing his craft working at Sound Design Studios in Toronto throughout the 80's and 90's, Miller wanted to have a go at his true musical love as well, atmospheric progressive rock inspired by artists such as Pink Floyd, The Moody Blues and Steve Hackett…
With the departure of vocalist John Foxx and guitarist Robin Simon behind them, Vienna kicked off Ultravox's second phase with former Rich Kids vocalist Midge Ure at the helm. Trading Foxx's glam rock stance for Ure's aristocratic delivery, Vienna recasts the band as a melodramatic synth pop chamber ensemble with most of the group doubling on traditional string quartet instruments and the synthesizers often serving to emulate an orchestra. It was a bold move that took awhile to pay off (the first two singles, "Sleepwalk" and "Passing Strangers," went unnoticed), but when the monolithic title track was released, the Ure lineup became the band's most identifiable one almost overnight.
Recorded live at the Barbican in London, these recordings represent the first complete CD cycle of Martinu’s symphonies conducted by Jiří Bělohlávek. The critically acclaimed concerts were given to mark the 50th anniversary of Martinu’s death in 1959.