Before and After Science is really a study of "studio composition" whereby recordings are created by deconstruction and elimination: tracks are recorded and assembled in layers, then selectively subtracted one after another, resulting in a composition and sound quite unlike that at the beginning of the process. Despite the album's pop format, the sound is unique and strays far from the mainstream. Eno also experiments with his lyrics, choosing a sound-over-sense approach.
John Patton, Grant Green and Ben Dixon were introduced to Blue Note by Lou Donaldson and quickly became the quintessential rhythm section for Blue Note's funkier session. They came together for this, John Patton's first album, with two of the label's tenor saxophonists Fred Jackson and Harold Vick. The double tenors and organ trio make an unbeatable combination for some soulful, swinging music. The title tune and "The Silver Meter" were radio hits that remain among the most popular of Patton's recorded performances.
Since his days with the Bud Powell Trio, drummer Art Taylor was an invaluable member of the Blue Note recording family. A.T.'s Delight is the only album made under his own name for the label and it is a remarkable one. Choosing great compositions by Coltrane, Monk, Denzil Best and Kenny Dorham, Taylor assembled a great quintet fronted by Dave Burns and Stanley Turrentine, often adding Potato's congas to the proceedings. The unique and varied arrangements and great playing pay tribute to the drummer's exceptional song selection.
The Original Album Classics series, courtesy of Sony/BMG, packages together five classic albums from one of the most popular artists on the label's roster, housing them in an attractive slipcase. This set from the Irish guitar legend features the albums Deuce (1971), Calling Card (1976), Top Priority (1979), Jinx (1982) and Fresh Evidence (1988). 56 tracks.