Dsd Japan Mini

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 6of6)

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 6of6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.50 Gb | MP3 @320 -> 0.99 Gb | Artwork
© 2006 Sony Music Japan / Columbia | SICP 1230~37 | DSD | HQD High Quality Disc
Jazz / Fusion / Jazz Rock / Jazz Funk / Trumpet

Along with its sister recording, Pangaea, Agharta was recorded live in February of 1975 at the Osaka Festival Hall in Japan. Amazingly enough, given that these are arguably Davis' two greatest electric live records, they were recorded the same day. Agharta was performed in the afternoon and Pangaea in the evening. Of the two, Agharta is superior. The band with Davis – saxophonist Sonny Fortune, guitarists Pete Cosey (lead) and Reggie Lucas (rhythm), bassist Michael Henderson, drummer Al Foster, and percussionist James Mtume – was a group who had their roots in the radically streetwise music recorded on 1972's On the Corner, and they are brought to fruition here.
Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 5of6)

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 5of6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.88 Gb | MP3 @320 -> 1.11 Gb | Artwork
© 2006 Sony Music Japan / Columbia | SICP 1222~29 | DSD | HQD High Quality Disc
Jazz / Fusion / Jazz Rock / Jazz Funk / Trumpet

None of Miles Davis' recordings has been more shrouded in mystery than Jack Johnson, yet none has better fulfilled Miles Davis' promise that he could form the "greatest rock band you ever heard." Containing only two tracks, the album was assembled out of no less than four recording sessions between February 18, 1970, and June 4, 1970, and was patched together by producer Teo Macero. Most of the outtake material ended up on Directions, Big Fun, and elsewhere. The first misconception is the lineup: the credits on the recording are incomplete. For the opener, "Right Off," the band is Miles, John McLaughlin, Billy Cobham, Herbie Hancock, Michael Henderson, and Steve Grossman (no piano player!), which reflects the liner notes.
Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 4of6)

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 4of6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.70 Gb | MP3 @320 -> 739 Mb | Artwork
© 2006 Sony Music Japan / Columbia | SICP 1216~21 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Fusion / Trumpet

With their second album, Miles Smiles, the second Miles Davis Quintet really began to hit their stride, delving deeper into the more adventurous, exploratory side of their signature sound. This is clear as soon as "Orbits" comes crashing out the gate, but it's not just the fast, manic material that has an edge – slower, quieter numbers are mercurial, not just in how they shift melodies and chords, but how the voicing and phrasing never settles into a comfortable groove. This is music that demands attention, never taking predictable paths or easy choices.
Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 3of6)

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 3of6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.42 Gb | MP3 @320 -> 626 Mb | Artwork
© 2006 Sony Music Japan / Columbia | SICP 1211~15 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Trumpet

Miles Davis' concert of February 12, 1964, was originally divided into two LPs, with all of the ballads put on My Funny Valentine. These five lengthy tracks (which include "All of You," "Stella by Starlight," "All Blues," "I Thought About You," and the title cut) put the emphasis on the lyricism of Davis, along with some strong statements from tenor saxophonist George Coleman and freer moments from the young rhythm section of pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams.
Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 2of6)

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 2of6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.23 Gb | MP3 @320 -> 555 Mb | Artwork
© 2006 Sony Music Japan / Columbia | SICP 1206~10 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Trumpet

Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence. Why does Kind of Blue posses such a mystique? Perhaps because this music never flaunts its genius. It lures listeners in with the slow, luxurious bassline and gentle piano chords of "So What." From that moment on, the record never really changes pace – each tune has a similar relaxed feel, as the music flows easily. Yet Kind of Blue is more than easy listening. It's the pinnacle of modal jazz – tonality and solos build from the overall key, not chord changes, giving the music a subtly shifting quality. All of this doesn't quite explain why seasoned jazz fans return to this record even after they've memorized every nuance.
Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 1of6)

Miles Davis - The Original Jacket Collection (2006) [30 Albums, 37 CDs] {DSD Japan Mini LP Analog Collection} (part 1of6)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.24 Gb | MP3 @320 -> 515 Mb | Artwork
© 2006 Sony Music Japan / Columbia | SICP 1201~05 | DSD | HQD High Quality Disc
Jazz / Hard Bop / Modal Music / Trumpet

With the release of the spectral title tune, and the efforts of the Columbia marketing and publicity departments behind him, a thirty-year old Miles Davis entered into a period of extraordinary artistic maturity and growth. And Miles instinctively knew how to cultivate his star quality. Looming behind those shades, was the diffident, sensitive anti-hero–proud and defiant–who only spoke to his audience through his horn, and turned his back on them when the other soloists were blowing. The combination of attitude and intellect was irresistible. Beginning with ROUND ABOUT MIDNIGHT and proceeding through a remarkable succession of famous recordings over the next 30 years, Miles Davis became one of the greatest soloists, arrangers and talent scouts in the history of American music. People who didn't own a single jazz record came to know his name–Miles was a jazz icon.
Miles Davis - Sketches Of Spain (1960) {2006 DSD Japan Mini LP Edition, SICP-1207}

Miles Davis - Sketches Of Spain (1960) {2006 DSD Japan Mini LP Edition, SICP-1207}
EAC rip (secure mode) | FLAC+CUE+LOG -> 257 Mb| MP3 @320 -> 101 Mb | Artwork (web)
© 2006 Sony Music Japan / Columbia | SICP 1207 | DSD | HQD High Quality Disc
Jazz / Cool / Modal Music / Trumpet


Miles Davis - Sketches Of Spain (1960) {2006 DSD Japan Mini LP Edition, SICP-1207}

Along with Kind of Blue, In a Silent Way, and Round About Midnight, Sketches of Spain is one of Miles Davis' most enduring and innovative achievements. Recorded between November 1959 and March 1960 – after Coltrane and Cannonball Adderley had left the band – Davis teamed with Canadian arranger Gil Evans for the third time. Davis brought Evans the album's signature piece, "Concierto de Aranjuez," after hearing a classical version of it at bassist Joe Mondragon's house. Evans was as taken with it as Davis was, and set about to create an entire album of material around it. The result is a masterpiece of modern art.
Miles Davis - E.S.P. (1965) {2006 DSD Japan Mini LP Edition, SICP 1215}

Miles Davis - E.S.P. (1965) {2006 DSD Japan Mini LP Edition, SICP 1215}
EAC rip (secure mode) | FLAC+CUE+LOG -> 260 Mb| MP3 @320 -> 115 Mb | Artwork (web)
© 2006 Sony Music Japan / Columbia | SICP 1215
Jazz / Hard Bop / Trumpet


Miles Davis - E.S.P. (1965) {2006 DSD Japan Mini LP Edition, SICP 1215}

ESP marks the beginning of a revitalization for Miles Davis, as his second classic quintet — saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams — gels, establishing what would become their signature adventurous hard bop. Miles had been moving toward this direction in the two years preceding the release of ESP and he had recorded with everyone outside of Shorter prior to this record, but his addition galvanizes the group, pushing them toward music that was recognizably bop but as adventurous as jazz's avant-garde.
Miles Davis - Miles Smiles (1966) {2006 DSD Japan Mini LP Edition, SICP 1216}

Miles Davis - Miles Smiles (1966) {2006 DSD Japan Mini LP Edition, SICP 1216}
EAC rip (secure mode) | FLAC+CUE+LOG -> 286 Mb| MP3 @320 -> 99 Mb | Artwork (web)
© 2006 Sony Music Japan / Columbia | SICP 1216
Jazz / Hard Bop / Trumpet


Miles Davis - Miles Smiles (1966) {2006 DSD Japan Mini LP Edition, SICP 1216}

With their second album, Miles Smiles, the second Miles Davis Quintet really began to hit their stride, delving deeper into the more adventurous, exploratory side of their signature sound. This is clear as soon as "Orbits" comes crashing out the gate, but it's not just the fast, manic material that has an edge – slower, quieter numbers are mercurial, not just in how they shift melodies and chords, but how the voicing and phrasing never settles into a comfortable groove. This is music that demands attention, never taking predictable paths or easy choices.
Miles Davis - Sorcerer (1962, 1967) {2006 DSD Japan Mini LP Edition, SICP 1217}

Miles Davis - Sorcerer (1962, 1967) {2006 DSD Japan Mini LP Edition, SICP 1217}
EAC rip (secure mode) | FLAC+CUE+LOG -> 254 Mb| MP3 @320 -> 96 Mb
Full Artwork @ 400 dpi (png) -> 70 Mb
© 2006 Sony Music Japan / Columbia | SICP 1217
Jazz / Hard Bop / Post Bop / Modal Music


Miles Davis - Sorcerer (1962, 1967) {2006 DSD Japan Mini LP Edition, SICP 1217}

Sorcerer, the third album by the second Miles Davis Quintet, is in a sense a transitional album, a quiet, subdued affair that rarely blows hot, choosing to explore cerebral tonal colorings. Even when the tempo picks up, as it does on the title track, there's little of the dense, manic energy on Miles Smiles – this is about subtle shadings, even when the compositions are as memorable as Tony Williams' "Pee Wee" or Herbie Hancock's "Sorcerer."