One of the biggest hopes in thrash metal (last album was “album of the month” in Metal Hammer Germany)! Straight forward yet partly highly melodic and always with an addictive groove. Four skull-masked dudes with the urge to T*H*R*A*S*H! For fans of Suicidal Tendencies, Overkill, Slayer and Nuclear Assault.
A newspaper reporter hears of strange goings-on on a remote island. He travels there and finds that a mad scientist lives there and he is creating zombies.
Return of the Living Dead Part II is a zombie horror comedy film that was released in 1988. It was written and directed by Ken Wiederhorn. The film was released by Lorimar Motion Pictures on January 8, 1988, and was a minor box office success, making over $9 million at the box office in the United States against its $6 million budget. It is the first of four sequels. Though this film and its predecessor shared the same rating ("R"), this film had a lighter tone as it was partially aimed at a teenage audience. However the misleading trailer suggested it was darker. The main protagonists, Jesse and Lucy, share the last name 'Wilson', giving the cult fans a clue that they are the children or nephew and niece to Burt Wilson, the main protagonist of the first film.
The Return of the Living Dead is a 1985 comedy/horror film written and directed by Dan O'Bannon and starring Clu Gulager, James Karen and Don Calfa. The film tells the story of how three men accompanied by a group of teenage punks deal with the accidental release of a horde of brain hungry zombies onto an unsuspecting town.
Night of the Living Dead is a 1968 independent horror film and cult film directed by George A. Romero, starring Duane Jones, Judith O'Dea and Karl Hardman. It premiered on October 1, 1968, and was completed on a US$114,000 budget. After decades of cinematic re-releases, the film was a financial success, grossing $12 million domestically and $18 million internationally. Night of the Living Dead was heavily criticized during its release because of its explicit content, but received critical acclaim and was selected by the Library of Congress for preservation in the National Film Registry as a film deemed "culturally, historically or aesthetically significant." The film entered the public domain due to an error by the distributor.