Dennis DE Young Flac

Dennis De Young and the Music of Styx - Live In Los Angeles (2014) [BDRip 1080p]

Dennis De Young and the Music of Styx - Live In Los Angeles (2014)
BDRip 1080p | MKV | 1920x1080 at 29.970 fps, AVC (High@L4.1) | 6.7 GB
Audio: 48 kHz, 24 bits, 2 channels, Flac | Length: 01:36:00
Genre: Rock | Nitroflare/Uploadable

Dennis DeYoung - One Hundred Years From Now (2007)  Music

Posted by Andi_Deris at Jan. 28, 2015
Dennis DeYoung - One Hundred Years From Now (2007)

Dennis DeYoung - One Hundred Years From Now (2007)
EAC Rip | FLAC: Image+Cue+Log | 387 Mb | MP3 CBR 320 kbps | 131 Mb | Scans | Time: 51:21
Genre: Progressive Rock, Art Rock | Label: Universal Music/DEP | Cat.№: DDY23378

Dennis DeYoung spent a fair chunk of his solo career denying the very sound of Styx (not quite the same thing as denying their songs, which he would continue to sing), going as far as Broadway to distinguish himself from the band and writing concept albums. One Hundred Years from Now, initially released in Canada in 2007 and appearing two years later in the States, retains some dramatic elements, but despite some heavy themes, it's more notable for its sound.
Juan Gutierrez de Padilla - Mexico Barroco: Puebla I - Maitines de Navidad (FLAC & MP3)

Juan Gutierrez de Padilla - Mexico Barroco: Puebla I - Maitines de Navidad
Benjamín Juárez Echenique (Conducer) - Schola Cantorum de Mexico & Angelicum de Puebla (Performers)
EAC Rip | FLAC | LOG | 1CD | 289 MB | Cover | RAR
EAC Rip | MP3 [Preset Fast Extreme] | LOG | 1CD | 139 MB | Cover | RAR
Genre: Classical Baroque | Label: URTEXT | Year: 1995

Like most Spanish maestros de capilla, Puebla, Mexico, Padilla composed a great number of chanzonetas or villancicos. These charming and melodious works encompass exquisite charm and refined elegance to unabashed humour; they are frequently framed with dance rhythms, often in a characteristic uneven triple time with abundant syncopation. All the words in this gender have melodic instrumental lines and accompaniments with great variety of possibilites: from a solo voice to a full choir.

The instruments were characteristic of Renaissence music: recorders, dulzian, shawms, cornets, voils, organ, crumhorns, etc. In Mexico, villancicos achieved such popularity that they were published even when paper was very scarce, and important works such as some writings of Sor Juana Inés de la Cruz could not be printed.

Styx - The Grand Illusion `77 & Man Of Miracles `74 (2000)  Music

Posted by v3122 at April 20, 2018
Styx - The Grand Illusion `77 & Man Of Miracles `74 (2000)

Styx - The Grand Illusion `77 & Man Of Miracles `74 (2000)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
STCOLCD 77754 | ~ 503 or 185 Mb | Scans(jpg) -> 52 Mb
Hard Rock, Classic Rock, Prog Rock

Other than being their first platinum-selling album, The Grand Illusion led Styx steadfastly into the domain of AOR rock. Built on the strengths of "Come Sail Away"'s ballad-to-rock metamorphosis, which gained them their second Top Ten hit, and on the high harmonies of newcomer Tommy Shaw throughout "Fooling Yourself," The Grand Illusion introduced Styx to the gates of commercial stardom…

Media Luna - Sinfonía de Ilusiones (2018)  Music

Posted by aasana at April 30, 2018
Media Luna - Sinfonía de Ilusiones (2018)

Media Luna - Sinfonía de Ilusiones (2018)
World, Latin, Flamenco | 39:59 min | WEB FLAC (tracks) | 283 MB
Label: Ediciones Discos Rocio

El grupo sevillano Media Luna presenta su primer disco “Sinfonía de ilusiones”. Incluye diez temas en los que cantan a su ciudad y a su Feria; 6 temas de amor y destacan unas sevillanas a la Virgen del Rocío tituladas ‘Quiero meterme debajo’. Es un conjunto que, en sus directos, nos recuerda a las grandes voces del género. Es uno de los grupos que más flamencas tienen sus voces, con el dejillo de los cantaores de Huelva y su provincia.

Ibio - Cuevas De Altamira (1978) [Reissue 2003]  Music

Posted by gribovar at April 21, 2018
Ibio - Cuevas De Altamira (1978) [Reissue 2003]

Ibio - Cuevas De Altamira (1978) [Reissue 2003]
XLD Rip | FLAC (tracks+.cue+log) - 253 MB | MP3 CBR 320 kbps (LAME 3.93) - 94 MB | Covers (12 MB) included
Genre: Progressive Rock, Prog-Folk | RAR 3% Rec. | Label: Dro East West (5046703312)

Deftly mixing equal parts of folk and symphonic prog is what this Spanish band does best. The Strawbs did it with English folk whereas Ibio stress their Spanish roots; however, the comparison stops here as their musical styles have absolutely nothing in common. This quartet from Cantabria (land of the famous Caves of Altamira) released only one LP back in 1978 and then mysteriously disappeared. Despite some Italian symphonic overtones brought on by the lush keyboard work, the mostly instrumental album "Cuevas de Altamira" never lets you forget its Iberian origins: typical Spanish melodies with a generally upbeat tempo, strong presence of the acoustic guitar and a few but emphatic vocals (perhaps a little overwrought for some tastes). The abundance of moog, synths and mellotron, the complex drumming and the mildly distorted and phased electric guitar make it a 100% prog album.
Duo Bilitis - Debussy: Reveries de Bilitis Music for Two Harps and Voice (2018)

Duo Bilitis - Debussy: Reveries de Bilitis Music for Two Harps and Voice (2018)
Classical, Vocal | WEB FLAC (tracks) & d. booklet | 223 MB
Label: Brilliant Classics | Tracks: 16 | Time: 59:21 min

A sensuous recital of rare repertoire by an anniversary composer for the unusual combination of female voice and two harps.

Arsys Bourgogne & Mihály Zeke - Naissance de Vénus (2018)  Music

Posted by SERTiL at April 6, 2018
Arsys Bourgogne & Mihály Zeke - Naissance de Vénus (2018)

Arsys Bourgogne & Mihály Zeke - Naissance de Vénus (2018)
Classical, Choral | WEB FLAC (tracks) & d. booklet | 249 MB
Label: Paraty Productions | Tracks: 23| Time: 57:22 min

Secular French 20th century choral music. Arsys Bourgogne embarks on a journey through the landscape of secular French 20th century choral music with Naissance de Vénus, a recording featuring emblematic repertoire such as the Trois chansons by Claude Debussy and Maurice Ravel, Un soir de neige by Francis Poulenc, as well as the Cinq rechants by Olivier Messiaen. Lesser known jewels, such as Joseph Canteloube’s Chants paysans, Darius Mihaud’s Naissance de Vénus and the virtuosic À contre-voix by Florent Schmitt round out this fine collection of French a cappella works.
Emmanuel Krivine & Orchestre national de France - Debussy: La Mer & Images (2018)

Emmanuel Krivine & Orchestre national de France - Debussy: La Mer & Images (2018)
WEB FLAC (tracks) | 01:01:14 | 284 Mb
Classical | Label: Erato Records

Debussy began composing La Mer in 1904, in Burgundy, but as he wrote to fellow composer André Messager, his memories of the sea were “worth more than a reality whose charm generally weighs too heavily on the imagination”. He continued to work on the score, however, while staying in Jersey, and then in Dieppe. For Debussy, even less than for the Beethoven of the “Pastoral” Symphony, writing about nature does not mean naïvelyimitating it by portraying the elements or the meteorological phenomena that animate them; descriptive music suits neither the flexibility of his music nor his creative temperament. Instead, he invents, he responds to nature through his art, setting up something else in contrast to it.

Charly García - Filosofía Barata y Zapatos de Goma (1990)  Music

Posted by Domestos at April 4, 2018
Charly García - Filosofía Barata y Zapatos de Goma (1990)

Charly García - Filosofía Barata y Zapatos de Goma (1990)
XLD Rip | FLAC (tracks+.cue, log) ~ 236.36 Mb | 42:18 | Cover | Country: Argentina
Rock Progresivo Argentino, Pop Rock | Label: CBS Discos International - CD-80506, DIDP 076019

Filosofía barata y zapatos de goma es el sexto álbum de estudio en solitario del músico argentino Charly García. Todas las canciones fueron grabadas en junio de 1990, con excepción de «Me siento mucho mejor», la cual fue terminada en enero del mismo año. El álbum fue producido por García y Joe Blaney. El disco contenía una polémica versión del Himno Nacional Argentino, por la cual García debió sortear un juicio por «ofensa a los símbolos patrios».1​ Finalmente, la versión terminó siendo autorizada por los tribunales. Es considerado por un sector de la crítica como el último gran disco de García antes de su etapa Say no More, con la que atraería a un nuevo público pero alejaría a varios de sus seguidores más veteranos.