Filmed with Panavision cameras and lenses on 35mm film with 26 cameras, including one helicopter, AC/DC: Live at Donington is presented in high definition 1080p on this Blu-ray Disc release in its original 1.78:1 aspect ratio. For this release, Sony-BMG and Columbia Music Video have provided three listening options: 48kHz/24bit PCM stereo, Dolby Digital 5.1 (640 kbps) and PCM 5.1 48kHz/24bit. Because of the use of so many cameras from various distances and the differing levels of lighting throughout the performance the quality of the picture does vary, often times from one shot to the next, but this has more to do with the things I've mentioned than with the encoding. For example, in certain darker shots from more distant cameras, there is a higher level of grain present than in well-lit shots from cameras closer to or actually on the stage where little to no grain can be seen at all.
It doesn't matter if you love AC/DC or hate them. It doesn't matter if you think Angus Young's bizarre schoolboy costume makes him a fashion victim or a major style icon. It doesn't matter if you think Brian Johnson is one of the greatest rock vocalists of all time or simply Rod Stewart-lite. Whatever your personal opinion about all of these pressing international issues may be, you might want to check out AC/DC Live at River Plate if only for one completely irrelevant, tangential item. Buenos Aires' gargantuan Estadio Monumental Antonio Vespucio Liberti, otherwise known as the River Plate Stadium, hosted a three night event over the first two weeks of December, 2009, that saw AC/DC perform nine sold out concerts to a thronging mass of humanity.
The Black Market is the seventh studio album by American melodic hardcore band Rise Against, released on July 15, 2014. With the same line-up as their previous two albums, guitarist Zach Blair has become Rise Against's first guitarist to appear on three studio albums. It is the last Rise Against album to be released through Interscope Records. The Black Market debuted at number three on the US Billboard 200, becoming the band's third consecutive top five album.