Cynthia J. Moss

J Moss - GFG Reload (2016)  Music

Posted by funkerman at Jan. 30, 2016
J Moss - GFG Reload (2016)

J Moss - GFG Reload (2016)
Gospel, R&B, Soul | MP3 320 kbps | 42:10 min | ~102 Mb + 5% Recovery
Label: PMG Records | Tracks: 12 | Rls.date: 2016

2016 release from the Grown Folks Gospel album series that debuted #1 on Billboard. Currently the GFG album is nominated in four categories for the 2016 Stellar Awards, (Contemporary Male Vocalist of the Year, Contemporary CD of the Year, Urban/ Inspirational Single/Performance of the Year and Recorded Music Packaging of the Year). Also J Moss received Grammy nomination with new pop group, Vocally Challenged, for Best Arrangement, Instrumental, or Accapella, "Bruno Mars". J Moss is one of the bestselling Gospel artist of our time due to his powerful and incredible voice, moving lyrics and trailblazing style.

Land, Law, and People in Medieval Scotland by Cynthia J. Neville [Repost]  eBooks & eLearning

Posted by tanas.olesya at April 21, 2015
Land, Law, and People in Medieval Scotland by Cynthia J. Neville [Repost]

Land, Law, and People in Medieval Scotland by Cynthia J. Neville
English | Mar 15, 2010 | ISBN: 0748639586 | 265 Pages | PDF | 1 MB

An ambitious study examining the encounter between Gaels and Europeans in Scotland in the central Middle Ages, offering remarkable insight into an important period of Scots' national identity.

J. K. Rowling (New Casebooks)(Repost)  eBooks & eLearning

Posted by Nice_smile) at Feb. 7, 2017
J. K. Rowling (New Casebooks)(Repost)

J. K. Rowling (New Casebooks) by Cynthia J. Hallett
English | 2012 | ISBN: 023000850X | 224 Pages | PDF | 4.06 MB

J. K. Rowling: Harry Potter (repost)  eBooks & eLearning

Posted by interes at Feb. 6, 2017
J. K. Rowling: Harry Potter (repost)

J. K. Rowling: Harry Potter (New Casebooks) by Cynthia J. Hallett and Peggy J. Huey
English | 2012 | ISBN: 023000850X, 0230008496 | 224 pages | PDF | 4 MB

J. K. Rowling: Harry Potter  eBooks & eLearning

Posted by interes at Oct. 8, 2015
J. K. Rowling: Harry Potter

J. K. Rowling: Harry Potter (New Casebooks) by Cynthia J. Hallett and Peggy J. Huey
English | 2012 | ISBN: 023000850X, 0230008496 | 224 pages | PDF | 4 MB

J. Ryan Stradal - Peperoncino fresco a colazione (Repost)  eBooks & eLearning

Posted by Karabas91 at March 30, 2018
J. Ryan Stradal - Peperoncino fresco a colazione (Repost)

J. Ryan Stradal - Peperoncino fresco a colazione
Italian | 2016 | 318 pages | ISBN: 8804660309 | EPUB | 0,4 MB

Lars Thorvald ha tre amori nella vita: il suo lavoro di chef, sua moglie Cynthia e la figlia appena nata, Eva. Ma quando Cynthia, stufa della cucina del Midwest, si innamora del vino (e di un raffinato sommelier) e li lascia, Lars non si perde d'animo e decide di dedicare tutta la vita alla figlia insegnandole i segreti della sua passione culinaria. Così Eva trova consolazione e felicità nei sapori esotici che il padre le fa conoscere: dal merluzzo salato ed essiccato marinato nella liscivia ai peperoncini piccanti ricoperti di cioccolato. E scopre di avere un dono rarissimo che si presenta solo una volta in una generazione: un palato eccezionale per i gusti piccanti. Il suo talento si trasforma presto in un lavoro e lei diventa lo chef misterioso che si nasconde dietro il menu del ristorante più alla moda del paese..
Jérémie Rhorer & Le Cercle de l'Harmonie - Mozart: La clemenza di Tito, K. 621 (2017) [Official Digital Download]

Jérémie Rhorer & Le Cercle de l'Harmonie - Mozart: La clemenza di Tito, K. 621 (Live Recording at Théâtre des Champs-Élysées) (2017)
FLAC (tracks) 24-bit/48 kHz | Time - 123:08 minutes | 1.28 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

The Théâtre des Champs-Élysées and Alpha extend their series of recordings of the Mozart operas conducted by Jérémie Rhorer. After Die Entführung aus dem Serail, which received excellent international reviews (including FFFF in Télérama), here now is La clemenza di Tito. Gilles Macassar wrote in Télérama late in 2014 of ‘divinatory conducting, a cast close to the ideal . . . The last opera Mozart composed, long undervalued, closes the chapter of the Baroque and looks into the future, blazing a new trail that looks forward to the nineteenth century.’
LL Cool J's Platinum 360 Diet and Lifestyle: A Full-Circle Guide to Developing Your Mind, Body, and Soul

LL Cool J's Platinum 360 Diet and Lifestyle: A Full-Circle Guide to Developing Your Mind, Body, and Soul y LL COOL J, Chris Palmer, Jim Stoppani, David Honig
English | April 27th, 2010 | ASIN: B005KL9GYA, ISBN: 1605295418, 1609613783 | 240 Pages | EPUB | 19.48 MB

Multi-platinum, Grammy award–winning rapper and best-selling author LL Cool J shares the secrets to his enviable physique and, perhaps even sexier, his hard-earned contentment and peace of mind.
Jonathan Manson, Trevor Pinnock - J.S. Bach: Sonatas for Viola da Gamba and Harpsichord (2006)

Jonathan Manson, Trevor Pinnock - J.S. Bach: Sonatas for Viola da Gamba and Harpsichord (2006)
EAC | FLAC (image+.cue, log) | Covers Included | 59:36 | 454 MB
Genre: Classical | Label: AVIE | Catalog: AV2093

The first thing to strike the listener about these 2006 Avie recordings of Bach's Sonata for viola da gamba and harpsichord will be how loud they are. While neither instrument is noted for its power to project, the instruments are recorded so closely here as to be gargantuan in these recordings by Jonathan Manson and Trevor Pinnock. After adjusting the volume, the second thing to strike the listener will be how brilliantly played they are.
János Négyesy, Ernest Bour, Sylvain Cambreling - Wolfgang Rihm: Dis-Kontur, Lichtzwang, Sub-Kontur (2007) (Repost)

János Négyesy, Ernest Bour, Sylvain Cambreling - Wolfgang Rihm: Dis-Kontur, Lichtzwang, Sub-Kontur (2007)
EAC | FLAC (image+.cue, log) | Covers Included | 67:54 | 325 MB
Genre: Classical | Label: Hänssler Classic | Catalog: CD 93.202

The highly percussive, battering nature of the opening of Dis-Kontur (1974) speaks more of primal matters than it does of highly structured modernism. Rihm claims that he wrote the introduction to this piece in one go, and intuitively at that. It was only later that he realized that the accents lay in the proportions 5:7:2:9, ratios that he went on to utilize in the internal construction of the piece. Rihm sees his music as in the Austro-German tradition (he mentions not only Beethoven, Bruckner, and Mahler as part of this line, but also Hartmann).