It's hard to pick a favorite Curtis Mayfield album, and my judgment is surely clouded by the fact that this album was under-celebrated at the time and still often overlooked. But as speaking objectively as I can, this is surely Mayfield at the top of his game. And possibly my favorite album. Clive Anderson's liner notes on this Charly reissue may be a bit pretentious, opening up with a citation from Wordsworth, but they do pretty much nail the album and do it justice. The album is like an extended meditation on the American underclass, and particularly the despair in the Black communities in the mid-70s.
CURTIS is the first solo album by R&B/soul legend Curtis Mayfield. After leaving the Impressions, Mayfield began to write lyrics that were more politically charged. With the 1970 release of CURTIS, he became one of the most important socially conscious artists of his generation. The album's opener, "(Don't Worry) If There's a Hell Below We're All Going to Go" uses racial epithets openly, as Mayfield asserts the shiftlessness of America. Set to a funky groove, with smart horn arrangements and wah-wah guitar, this song is a brazen attack on social mores, racism, the Vietnam War, religious impropriety, and Nixon-era politics.
Heartbeat is an album by Curtis Mayfield. This 1979 offering mixed disco rhythms with soul balladeering. Future Temptation Ron Tyson contributed to some of the songwriting and production. "Tell Me, Tell Me (How Ya Like to be Loved)" was remixed for a 12" by Fred Breitberg and Michael Hearn and the duet with Linda Clifford "Between You Baby and Me", edited as a single, was also issued on The right combination, an album of duets between both singers released in 1980. It's the first Mayfield album he didn't produce entirely.
Give, Get, Take and Have is a 1976 album by Curtis Mayfield. The track "P.S. I Love You" was later featured in the film Superbad and on its accompanied soundtrack.
Released by AUM Fidelity as a double CD in 2010, I Plan to Stay a Believer is bassist William Parker's heart and soul tribute to vocalist and songwriter Curtis Mayfield. Parker, an extraordinarily resourceful improviser and internationally respected leader of creative ensembles, joyously celebrates the interwoven traditions of African-American musical culture by saluting an artist whose best works still define an entire mode of positive, uplifting musical expression. Mayfield rose to prominence with Jerry Butler and the Impressions in the late ‘50s, helped that group to become mainstays of Chicago soul throughout the ‘60s, and achieved superstar status in his own right during the early ‘70s.
Guitarist, vocalist and songwriter CHRIS MAYFIELD began to play at the beginning of the Sixties in local Kent band The MORAL SET, then went on to the usual plethora of bands and sessions, playing with the earliest NIRVANA, JOHN GUSTAFSON, GENE LATTER and IAN HUNTER among the others.Recorded in 1970 at EMI studios at Abbey Road, but theoretically never released the album of this British band (formed from the ashes of progressive group Elastic Band) album was released on vinyl … only in Uruguay, the local effort EMI Odeon label(SURL 20739) Music Mayfield's Mule is a very diverse progressive total playing with organs Hammond backed by heavy guitar parts a bit like the early Atomic Rooster with guitar pinch of Fuzzy Duck.