After the debacle that was the making of 1982's Groovy Decay, Robyn Hitchcock briefly retired from music, and when he returned it was with an album that offered a thoroughly uncompromised vision of Hitchcock's imagination. Released in 1984, I Often Dream of Trains was a primarily acoustic set with Hitchcock handling nearly all the instruments and vocals by himself; the tone is spare compared to the full-on rock & roll of his recordings with the Soft Boys or his solo debut, Black Snake Diamond Role, but the curious beauty of Hitchcock's melodies is every bit as striking in these stripped-down sessions, and the surreal imagery of "Flavour of Night," "Trams of Old London," and the title song comes to vivid and enchanting life. Hitchcock's off-kilter wit has rarely been as effective as it is on this album; the jaunty harmonies of "Uncorrected Personality Traits" are the ideal complement for the song's psychobabble, "Sounds Great When You're Dead" manages to be funny and a bit disturbing at once, and the drunken campfire singalong of "Ye Sleeping Knights of Jesus" was joyously sloppy enough to inspire a cover by the Replacements.
This late-'80s work finds the minimalist composer mixing acoustic and taped material to great effect. The disc's centerpiece is "Different Trains," a work that frames Reich's impressions of his boyhood train trips between his mother in Los Angeles and his father in New York; Reich also intersperses references to the much more harrowing train rides Jews were forced to take to Nazi concentration camps. Using the fine playing of the Kronos Quartet as a base, Reich layers the work with the taped train musings of his governess, a retired Pullman porter, and various Holocaust survivors – vintage train sounds from the '30s and '40s add to the riveting arrangement. And for some nice contrast, Reich recruits guitarist Pat Metheny to create a similarly momentous piece in "Electric Counterpoint" (Metheny plays live over a multi-tracked tape of ten guitars and two electric basses). Two fine works by Reich in his prime.
This is an intimate film documenting life on the road during part of his 2014 tour intercut with superb full-length performances. The film features many classic tracks including: “Layla,” “Wonderful Tonight,” “Cocaine,” “Tears In Heaven,” “I Shot The Sherriff,” “Crossroads” and more.
EMI celebrates the 75th birthday of one of our most acclaimed and respected contemporary composers, Steve Reich.This album includes a world-premiere recording of a new scoring of Reich's "Six Pianos", entitled "Piano Counterpoint", arranged and performed by Vincent Corver, Pianist and Co-Founder of the Composer-Endorsed London Steve Reich Ensemble.
Meek head clerk Kees Popinga realises at the same time as the police that owner De Koster has stripped his Dutch company clean because of his infatuation with a Parisian girl, Michelle. After a confrontation between the two men, De Koster ends up dead and Popinga makes off to Paris with the remaining money. There he contacts Michelle, with the police in close pursuit.
The new CD “Dreaming of Trains” by Ken Navarro is a dazzling display of multiple talents by the versatile guitarist. Navarro’s 19th release in a prolific and acclaimed career sparkles with innovation and delight at every turn. If you embrace guitarist Brian Hughes and the late-’80s version of the Pat Metheny Group, Navarro is your guy.
Thanks to Far Away Trains Passing By, an all-too-brief record that encompasses tingly breakbeat, icebox-cold electro, and nippy down-tempo, it shouldn't be too long before Berlin's Ulrich Schnauss gets name-dropping of his own in reviews of up-and-coming producers. Within these six tracks, Schnauss earns his comparisons to Boards of Canada and other members of the electronica elite with nary a reservation to be found. It's not only the sheer strength of the majority of these tracks that make the record so enjoyable; the closing and ending numbers neatly bundle everything together, giving it the feel of a concept record without any of the pretensions…
The 'Anatomy Trains' is a revolutionary way of analyzing soft-tissue patterns, and developing strategies for unwinding these patterns via fascial and myofascial work. Using the metaphor of train lines, Tom Myers explains how patterns of strain communicate through the myofascial 'webbing', contributing to postural compensation and movement stability.