Stolen Moments: Red Hot + Cool is one of the compilation albums from the Red Hot project. This fifth entry in the Red Hot AIDS Benefit Series was heralded as the "Album of the Year" by TIME upon its release in 1994 by GRP Records. The double disc — the second compact disc was included as a "Bonus" — features collaborations between renowned jazz performers and contemporary hip hop artists. The title refers to a 1961 jazz standard by Oliver Nelson, which is also covered on this album…
Any Soul Music lover will reel off a list of historic labels that influenced their passion. From the sophisticated style of Philadelphia International, or the raw edge of Brunswick - to the soulful dance floor appeal of Salsoul, Prelude and TK.
Much of this classic era still influences what's going in present times and the legacy of good soul music continues with this brand new label Sed Soul, short for seductive soul which is based in Germany and is the brainchild of writer and producer Rob Hardt.
Rob has teamed up with renowned Danish musician and fellow 'soul head' Frank Ryle to create 'Cool Million'.
With the Skylark "experiment" behind him, Paul Desmond reverted back to the relaxed quartet format that suited him well in the past. The reason? Through Jim Hall, he found a little-known, splendid guitarist in Toronto named Ed Bickert who became his new gigmate in 1974, and this album was meant to show his discovery off. In fact, it sparked a Desmond renaissance where he regained a good deal of the witty spark and erudite cool of his collaborations with Hall, no matter how unfashionable it was to play this way in 1974.
John McNeil had the idea of applying some of Gerry Mulligan's arranging principles to free jazz after arranging some of the late baritone saxophonist's music for a tribute band. Recruiting baritone saxophonist Alan Chase, bassist John Hebert, and the much in-demand drummer Matt Wilson, McNeil's experiment creates some provocative music. "Deadline" features a constantly shifting time signature, changing its mood throughout the piece, contrasting it with the more steady and loping "A Time to Go." McNeil's humorous take of "Bernie's Tune" (long a part of Mulligan's repertoire, though written by Bernie Miller) quickly takes it away from its roots for a wild ride on his horn into the world of free jazz. He also adapts Arnold Schoenberg's 12-tone classical music into his realm with his playful arrangement of "Schoenberg's Piano Concerto." Throughout the session the band is up to the challenges of McNeil's compelling music, producing a provocative CD that should open ears for decades to come.
College Algebra, also known as Algebra III or Advanced Algebra, primarily extends concepts previously studied in Algebra II.
Topics in Algebra II primarily extend concepts learned in Algebra I and also include functions, complex numbers, exponential and logarithmic functions, use of the graphing calculator, matrices, conics, sequences and series. Algebra II follows either Algebra I or Geometry in the sequence of math courses and is often used as a developmental course at the college level under the name Intermediate Algebra.
Core topics include solving linear equations and inequalities, graphing equations and inequalities with some use of the graphing calculator, exponents, polynomials, factoring, rational expressions and equations, systems of linear equations and inequalities, radical expressions and equations, and solving quadratic equations. Algebra I follows Prealgebra in the sequence of math courses and is often used as a developmental course at the college level under the name Elementary Algebra.