Snarky Puppy Duo Releases Thrilling Debut Album As Ghost-Note. If someone asked another to identify Ghost-Note within a genre, one would have trouble coming up with a good answer. The brainchild of Robert “Sput” Searight and Nate Werth has been capturing the attention of Snarky Puppy fanatics for a while now, but their debut album, Fortified, is a game changer that deserves recognition from all types of music-lovers. Immediately blasting to the #1 spot on the iTunes jazz chart upon release, Fortified is more than just a percussionist’s wildest dream, it’s a collaboration of world-class players featuring 18 of today’s rising musicians in Shaun Martin, N’Dambi, Mark Lettieri, Caleb McCampbell, Jason “JT” Thomas, RSVP, Nick Werth, Cleon Edwards, Taron Lockett, Marcelo Woloski, Wes Stephenson, Bob Lanzetti, A.J. Brown, Frank Moka, Ben Bohorquez, and Sylvester Onyejiaka.
It's been two years since Roadkill Ghost Choir has taken listeners on a ride. Last trip, brothers Andrew and Zach Shepard packed the car with high aspirations, a top-notch crew of musicians and the profound swelter of the South. With the upcoming arrival of False Youth Etcetera, the brothers have outgrown their roots in a supersonic fashion - exchanging their broken-down vehicles for an electrified magic carpet ride that soars through the night sky. Amidst the surprise success of the band's first record, primary songwriter Andrew was hardened by his experiences on the road, and under pressure to deliver new songs that outshined previous releases. It's no surprise False Youth Etcetera feels like a turn towards the fantastical, an anthemic escape compared to past output. It's immediately felt on the band's first single, "Classics (Die Young)," which bends beautifully and purposefully in the direction of synth-pop, and sets the tone for the entire record.
‘Time passes. Life happens. People arrive and people leave. Songs celebrate, songs grieve, look at yesterday and smile towards tomorrow; and everywhere, ghosts.
One evening, when I was enjoying my favourite red wine, I decided to pour an extra glass for people and times past. Soon it became a tradition, the name of a song and then an album: One for the Ghost.’