John McLaughlin & Paco de Lucia: Paco and John - Live at Montreux 1987 it's truly a shame that, all too often, artists with diverse careers become pigeon-holed, defined by the primary genre in which they first achieved notoriety. Take guitarist John McLaughlin, for instance. Ask most jazz fans about him and what will first come out of most of their mouths will include either the words "fusion," "jazz-rock" and/or Miles Davis, in any permutation/combination (not that there's anything wrong with that). Those a little further in the know might also be aware of his longstanding investigation into the nexus of eastern and western music with his Indo-collaboration, Shakti.
This expertly performed "Stabat Mater" compilation includes two important 16th-century works: the Eton Choirbook setting by John Browne, a sumptuous-if-not-solemn fantasia for six-part choir; and Palestrina's serene double-choir setting, performed one-voice-per-part with improvised embellishments–as Renaissance singers commonly did. Pärt's "Stabat Mater" for vocal trio and string trio (performed stunningly on ECM by the Hilliard Ensemble and, among others, Gidon Kremer) is performed here by three voices and viol sextet. The string playing on the ECM disc was, within the confines of Pärt's somewhat abstract style, very emotional. The viols can't replicate the violin family's intense singing tone and dynamic range; consequently, the expression of grief in the music is yet more abstracted. Technically, Andrew Parrott's singers are at least equal to the Hilliard Ensemble, possibly better. Not necessarily an ideal performance, but worth investigating.Matthew Westphal
Raise your hand if you've ever heard another software developer say:" Having a blog is fine—but you can't make any money doing that…" Well, in just a minute I'm going to show you how you can earn at least $100 from your blog in the next 90 days, guaranteed 100%. More on that soon… First though I want to take on this idea that you can't make any money with a blog. This claim that you can't make more than "pizza money" from a blog gets thrown around a lot—it comes up just about every time I talk about how critical blogging is for your software development career.
Love Is Strange: En Vivo con Tino is, simply put, a double CD that documents Jackson Browne's and David Lindley’s short Spanish tour of 2006. But it’s actually far more than that. While the song titles may be familiar to fans of both men, they don’t begin to tell the musical story on display here. Lindley and Browne were accompanied on all dates by the great flamenco percussionist, rock drummer, and producer Tino di Geraldo, and on select concerts by well-known Spanish musicians flutist Carlos Nunéz, vocalists Kiko Veneno and Luz Casal, banduria player Javier Mas, and others.
The magical interplay and incredible virtuosity of this exhilarating trio of string masters has made it one of the most beloved and acclaimed of all Masada ensembles. Back now by popular demand for their first studio recording in over five years, their telepathic interplay and endless creativity had never been stronger. Ten more tunes from the rich and inventive Book of Angels featuring moody ballads, hypnotic grooves, intense burners and of course the trademark lyricism of the Masada songbook performed by one of the most acclaimed contemporary ensembles in the world. A long awaited release—essential!