Bob Brookmeyer has been so busy as a writer since the mid-'60s that his valve trombone playing has been somewhat underrecorded. This quartet set with pianist Alan Broadbent (who also plays a bit of synthesizer), bassist Eric Von Essen and drummer Michael Stephans) finds Brookmeyer in top form on four standards and a quartet of his originals (including "Later Blues," "Tootsie Samba" and "Who Could Care"). His valve trombone playing had grown and evolved through the years and, although he still had the cool tone, Brookmeyer's solos are often quite complex while not completely abandoning chordal improvisation. This Concord release is well worth picking up.
Instant Party includes 11 previously released tracks by bandleader and conga player Poncho Sanchez, focusing on his Concord label recordings. Unlike similar Concord artists who have recorded for numerous labels during their career, including Mongo Santamaria and Tito Puente, Sanchez has been with the company for the majority of his career, making the track picks truly depict the best of his overall output as opposed to just his output on a particular label. Taken from 11 separate albums, highlights include "Listen Here/Cold Duck Time," "Chile con Soul," "One Mint Julep" (with Ray Charles), "Bйsame Mama" (with Mongo Santamaria), and "Watermelon Man." These tracks deliver exactly what the title promises while presenting the Latin jazz novice with a quality sampling of Poncho Sanchez.
Jack McDuff and Joey DeFrancesco personify the Jazz Organ Renaissance that is sweeping the world in this incredible recording for Concord. Organists have paired up before in recording studios but never in such a historical effort. Unlike Jack and Joey’s last double organ session which was live, this recording offered more artistic control. Concord wisely permitted Jack to put together the charts and gave Joey the bass duties to lessen the load. This album was recorded in New York City, NY, on December 11 & 12, 1995.
Working a bright, innovative corner of Latin jazz and drawing on Jamaican, Afro-Cuban, Venezuelan, and Peruvian rhythms to create a hybrid mosaic (as the title suggests), the loose, rotating collective that is the Caribbean Jazz Project manages to be many things at once, including a dance band with a hard bop sensibility, and at times the ensemble comes close to being a new age chillout orchestra. Whatever label they wear, CJP have a bright, infectious sound, led by vibraphonist Dave Samuels' bubbling and watery tones and, on three tracks here, the amazing talking steel drums of Andy Narell. Violinist Christian Howes guests on Samuels' "Slow Dance," giving it a wonderfully eerie and wheezing feel.